Waterfall Reserve

hidden deep in the gulley away from the blue sky, a trickle quietly creeps over the rocks

Its pretty cool when you can get to 30 second shutter speeds without filters and its 10am in the morning. Mount Wilson is well known for a few serious canyoning routes, this is not one of them πŸ˜‰ however you can certainly see how the area is well suited to it. The walk down is pretty mild and access to the various little falls is easy and there is plenty to see and photograph, but what I did like was the sweet greenness of the rocks contrasting with the deep black of the rocks – fav combo right there so i forgive the falls for being only a trickle.

single frame, no gimmicks πŸ˜‰ just alot of green rough balls..

Exif love:
D750 (yeah i know the embedded exif says D610 πŸ™‚ ) coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 30s
ISO 100
out front – Hoya CPL

https://blog.avernus.com.au/waterfall-reserve/

Choose the path less traveled

Chhose the path less travelled - (c) Gerard Blacklock

Mount Wilson, NSW

I remember my mum saying, why would you want to visit there, there is barely native tree in sight πŸ˜‰ or words to that effect anyway. My mum is a pretty staunch supporter of native trees etc.

So, queue Mount Wilson from the left, this place is like a colour explosion against the dull grey aussie bush backdrop – apparently as history has it.. the early settlers of the area were pretty wealthy people looking for a retreat location, they of course wanted a bit of home (England) and hence planted all the usual oaks and elms and stuff (thats my technical term ’cause i have no idea really:) ) and its pretty well stayed that way since then πŸ˜‰ pretty wealthy people and lots of retreats :)…

But I suppose its now quite the tourist location and of course the much loved destination for many a photographer, from the smartphone wielding high heeled ladies to the tubby 200mm f2.8 bashing pros πŸ™‚ that may be a little stereotypical but…

I am not overly convinced that this experience, for me, was worth the stupid oclock wake up and mind numbingly boring drive up and back (the apple pie and coffee at Bilpin was pretty nice though) but in the interest of actually producing a image, this is probably one of my favorites from the morning. The early start means you can stand on the road for quite some time snapping away before getting run over πŸ™‚ In fairness though the colour has not fully developed here and the recent rain has smashed alot of the leaves from the tree and muted the colours a bit. I was just expecting to drive down and have my socks blown off by the wondrous colour πŸ˜‰

So, you choose your path and go on, view it large πŸ™‚

This is a 5 shot panorama, with each frame bracketed, to be honest the bracketing is a bit of a waste of time here, the extra effort required to process it outweighs the increased dynamic range for only a very small (insignificant part) of the image.

Exif love:

5 shot panorama,
D750 coupled with 24-70mm f2.8 @ 31mm Aperture: f/10 and Shutter Speed: 1.6s (normal exposure), 1/5s (highlights) and 13s (shadows)
ISO 100
out front – Hoya CPL

Hairy Falls

I would call it a waterfall, but its more like a trickle.

Waterfall Reserve at the end of Waterfall rd on the Waterfall loop walk, i suppose I better take a picture of the waterfall.

3 frames stitched together in +Adobe Photoshop
Exif love:
D750 coupled with 16-35mm f4 @ 29mm Aperture: f/14 and Shutter Speed: 25s
ISO 100
out front – Hoya CPL and lots of mud.

https://blog.avernus.com.au/hairy-falls/

Waterfall Cradle

Kellys Falls, number 2

The misty spray was just enough to be painful on keeping the filter clean but not enough give that misty look in the scene… πŸ™

I love panoramic shots of waterfalls, they can add such a different perspective to a scene and to be honest, composition wise they are much easy than a single 6×4 frame πŸ™‚

3 frames stitched together in +Adobe Photoshop
Exif love:
D750 coupled with 16-35mm f4 @ 24mm Aperture: f/14 and Shutter Speed: 5s
ISO 100
out front – Hoya CPL and lots of darn water drops

https://blog.avernus.com.au/waterfall-cradle/

Nikkor 300mm f/4 AFS with 1.4 TC-14EII vs Sigma 50-500mm f/4.5-6.3G

I typically dislike doing comparisons between stuff, there are usually plenty of better sources out there and others with more interest in doing it then me πŸ™‚

However… after recently borrowing the Sigma 50-500mm fromΒ Rodney Campbell and noting that it was pretty sharp for a super zoom, I thought i should really see how this compares to my 300mm f4. The 300mm f4 is a great lens in my opinion, I have had it for years now and the sharpness and more importantly the contrast and colour rendition is really nice, especially for a lens which is not at the top of nikons price range πŸ˜‰

The Sigma 50-500 is a very nice lens and the large range, stabilisation and sharpness makes it very versatile. It however weighs more than a small tank. I really liked the shots at 50 mm too πŸ™‚

In a nutshell, you really can’t compare the two but…for me and my purposes (in most cases) I would take the 300mm (with a TC where needed) over the 50-500mm. The main reasons for this are (in no particular order)
1) sharpness across the frame
2) colour/contrast
3) weight.
I really think the biggest con to the Sigma is the fact that its big and heavy, which means you cannot use for alot of things that I would, for shoots where your on a tripod and not moving around much then its fine, take a airshow for example, I would use it there without a doubt. The zoom range and the stabilisation become very important pros and more chance of getting more better shots than using the 300mm.
However for a walk around shoot the 300mm is a much better option, light, sharp and somewhat more discreet πŸ™‚

I occasionally take shots of planes, hence I thought this would be a good subject to compare the two πŸ™‚
Now this is not a perfect comparison and there are a few variables in there, so if you want scientific standard comparisons head over to photozone or some other more reputable site πŸ™‚

The two shots are from two different days (variable #1), however conditions were fairly similar and the air was pretty clear, trust me, I know I am here just about every day πŸ™‚ . The settings (variable #2) are not exactly the same, ie shutter speed and a ISO (160 vs 200) but these should not have a significant effect on the overall outcome.
But what is the same.. now this is where it gets important right πŸ™‚ both aircraft are Boeing 777’s and the composition is pretty well the same πŸ™‚ admittingly one is Emirates and the other Japan Airlines..

The image/camera settings are at the bottom.

Both images (and 100% crops) are edited in PS and the Sigma one was tweaked to get the right exposure, it was a about 2/3rds of a stop under. No sharpening added, saved as high quality jpegs.

So, at f8 both lens are stopped down and should be getting pretty close to the optimal range, if things look pear shaped here than its bad πŸ™‚ The lower shutter speed on the sigma has not introduced any motion blur, as expected its well within the handhold range, even more so with OS/VR.
I would expect that the 300mm without the TC would only be a improvement here, but I used the TC mainly since the 400mm range is a more used one for me based on history.

The results? the sigma is pretty damn sharp for what it is, a superzoom, but it is noticeably less sharp away from the centre but still pretty acceptable overall. The nikkor 300mm with the 1.4TC is definitely sharper across the whole frame, however at the centre its probably only marginally sharper.

The colour rendition is pretty hard to compare with just these two images, the best I can say is given my limited use of the 50-500 I found I still prefer the colour/contrast of the nikkor.

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Compete

When you turn up sunrise and its nearly an hour before the big S breaches the horizon, things can be a tad on the dark side, however, it is this time, also known as nautical sunrise, where you can get some stunning deep colour. Capturing it is easy, its getting all the stuff around it to be bright enough to even show up….

One solution is to take along a torch, which if you have any sense you would have cause its damn dark and you would stumbling around in the dark without one πŸ™‚ anyway you can take this torch and provide a little artifical illumination, its a bit of trial and error but the results can be OK… mostly I have found it pretty hit and miss, and in this case.. well things got a bit too cooked, hence the title compete the artificial rock takes over the image and just about drowns out the for sunrise πŸ™‚

Another point to make about using your torch to light paint, and I bang on about this all the time, is to make sure you use it nice and low to the ground to get some texture, but also more importantly choose where you want the light to come from – don't do what I did in this case and be lazy and just stand next to camera and halfheartedly wave it around πŸ™‚ pick a spot well off to the side and give it a nice flow. Apply more light further away from the camera and less closer to the camera since the closer bit will light up much quicker.. you know light fall off as you get away from the camera.

Anyway, there you have it.. compete.

single frame, LED torch illuminating the rock fence from the right hand side, the other reason for the lazy man option was it was dark and I could not see much and.. there was some big potholes there .. anyways..thats the excuse I am sticking too πŸ™‚

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 97.8s
ISO 100
out front – Hoya CPL, Lee Graduated 0.9 Filter

https://blog.avernus.com.au/compete/

Coalcliff Creek

This little freshwater creek running into the ocean was in the process of excavating the dunes to straight line, it has been thwarted by some solid rocks which means it slides down a slippery 'S' into the incoming surf. This however, works in my advantage, the S curve creates some nice lines and just screams 'vertical pano' ok its probably a good chance I am the only one hearing that voice πŸ˜‰

I had quite some time to really set this up and ensure it worked out, typically vertical panos using a wide angle lens (at 16mmm) without a proper pano rig can be a distortion nightmare.

I achieved two things with this shot, 1) the increased vertical FOV and 2) maintained depth of field thru the image, this was somewhat important since that rock in the foreground, the one in front of the one with the leaves on it is only 50 odd centimeters away, or 3ft for the imperial people. I was sitting on a rock just behind teh tripod which was at its lowest level.

I took 3 portrait orientation shots here, in each one the focus point was changed to ensure the maximum depth of field was achieved, the first image (bottom frame) focused on that rock with the leaves, the second image (middle frame) focused on the rock half up picture on the right and the final image (top frame) focused on the pool.

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 30s (all shots)
ISO 100
out front – Hoya CPL and Lee Graduated 0.9x Filter

https://blog.avernus.com.au/coalcliff-creek/

The Devils Channel

darkness closes in as souls are sucked out…

I have sat on this image for some time, actually it's a series of images and in this case this is 4 portrait frames stitched together. I could not quite get the composition I wanted (at the time or in one frame) and include all the rocks so opted to take a series of shots and see how things looked after the fact.

I don't normally crop to square, however all other variations, portrait and landscape and pano just did not hit the spot.
What i did like though was the awesome colour in the low tide rocks and the slippery jet black rocks, seemingly enticing all to fall into the channel. I picked out a frame where the water flow was receding and from this angle looks like its getting sucked down a plug hole behind the rock πŸ™‚

this channel sits just below Red Hill (named such since.. well you guessed it.. the dirt is very red πŸ˜‰ ) which provides a great contrast to the bleak black rocks, but that's a image for another day.

4 images (portrait) stitched together as a pano then cropped to square.

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/22 and Shutter Speed: 1.6s
ISO -0.7EV
out front – Hoya CPL and Lee Graduated 0.9x Filter

https://blog.avernus.com.au/the-devils-channel/

Another World

raking the zen garden

There is a whole different world that exists at low tide and as such it is why I love getting out when the tide recedes back. The low tide reveals rocks, seaweed, neptune necklaces and all other manner of sea crustaceans, and most importantly (well that could be debated but..) it reveals some different perspective and compositions for seascaping.

I had my trusty tripod spread eagle on adjacent rocks and i too was not far from it to minimise the amount of wet feet that i would have to endure on the long walk home. The sun was up but muted by the clouds blanking the horizon and as the waves gently rolled in and tracked down the S-curve of my composition I relaxed and watched some crabs cautiously peer out to see wtf this crazy human as doing πŸ˜‰ Mornings like this are like raking a zen garden for me πŸ™‚ and trust me, i have raked a few zen gardens in my time πŸ™‚

2 shot blended image, one for the sky and one for the foreground.

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/20 and Shutter Speed: 8s (foreground frame) 4s (sky frame)
ISO -0.7EV
out front – Hoya CPL and Lee Graduated 0.9x Filter

https://blog.avernus.com.au/another-world/

Bilgola Bank Busters

Bilgola Bank Busters - (c) Gerard Blacklock

D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 2s
ISO 100
out front – Hoya CPL, Lee Graduated 0.9 Filter

and not of the monetary kind πŸ™‚

I really like the way the waves fanned out as the sun peaked over the horizon at 6:15am

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 2s
ISO 100
out front – Hoya CPL, Lee Graduated 0.9 Filter

https://blog.avernus.com.au/bilgola-bank-busters/

Plateau

The Bilgola Shelf

Standing in water half way up my shins and with a third eye on the waves pounding the it was a fine balance between getting my ass wet and waiting for the right wave to come over the plateau. Its lucky I got long legs πŸ˜‰ 'cause there were a few grab the shorts moments.

Bilgola is a great little spot with some lovely cliff lines and interesting seascapes, whilst +Rodney Campbell and +Debbie Mooney worked on the Bilgola Pool, I slipped and slid over the shelf trying to line up the sky with the desired foreground πŸ˜‰

I have hit this image for the initial impact, I loved the almost nuclear green seaweed in the channel and the moment the morning light moves from the warm crimson tones to catching some of the blue as the day really takes hold – and of course that water that flows over like alien tentacles.

Basically its 3 frame blended shot but there is a few tricks in there to get to the end result .. but thats all boring stuff, just show me the picture πŸ˜‰

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 6s (neutral) 1/2s (under) and 5s (for the water flow)
ISO 100
out front – Hoya CPL, Lee Graduated 0.9 Filter

https://blog.avernus.com.au/plateau/