The Wedge

20,000 years in the making - (c) Gerard Blacklock

20,000 years in the making – (c) Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 20s
out front – Lee Graduated Filter (0.9x) and some big ass rock with a hole in its bum.

20,000 years in the making…

I was watching some show on the telly before about the oldest skeleton ever found, in England with some woolly mammoths head πŸ™‚ apparently its 29,000 years old.. thats pretty old.. the cave where they found it is right on the ocean, however apprently back in the day when the body was buried there the water was significantly lower 200 something feet and there were plains and stuff not the sea!

It never ceases to amaze me that in my short life time I can revisit a place, like this, several times in my life and I am pretty well guaranteed that it ain’t gonna change due to natural forces..and yet to form this little isolated island rock out cropping it would have taken thousands of years… yep i feel pretty insignificant.. especially given the billions who have came before..

well at least they did not take photos here I suppose πŸ˜‰

h/t to mother nature again πŸ™‚

4 shot panorama (landscape orientation)
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 20s
out front – Lee Graduated Filter (0.9x) and some big ass rock with a hole in its bum.

No rest for the wicked

Time to Burn - (c) Gerard Blacklock

D750 coupled with 16-35mm f4 @ 16mm Aperture: f/14 and Shutter Speed: 20s, 1.6s, 8s and 4s
out front – Lee Graduated Filter (0.9x) and Hoya CPL.

no time to burn

It feels like about 12 midnight and and I hear my youngest daughter, tickles aka Mayhem, stirring in cot, there was a little too much fun at the beach the day before and a bit too much heat for the little tacker which meant for a restless night – after 10 minutes of gerry’s pro rocking and soothing skills she was back down for another round of sleep and i thought, ‘sweet i gotta plenty of hours before my alarm goes off for my sunrise session’ πŸ™‚

However low and behold, what felt like literally 5 minutes and the alarm goes off and its 4:30 am…. damn…I lay there for several minutes contemplating whether the sunrise is gonna be worthwhile and whether I should get those extra 2 hours of sleep… as it happens, a few days before I had woken up early with the girls (chaos and mayhem) and we all watched the most spectacular sunrise I had ever seen, from the lounge room window πŸ™‚

I dragged myself from the bed with my ninja sleath skills and promptly cracked my head on the door as trying to carry my camera bag out in the dark, but luck was on my side and tickles remained asleep.. well long enough for me to bail πŸ˜‰

A short drive to Chinamans beach and i noticed the colour developing in the sky, awww man this means I am gonna have to run to get to my sunrise spot, with the camera bag on and the anti-spider equipment deployed I started a jog down to the beach…jeez..i should have layed off that crackling from christmas ;(

I love seascapes, i love sunrise, i do it all even in light of the lack of sleep and the pain of getting up and getting to a place.. the moment the suns colour develops and the morning starts it simply rejuvenates my soul. Standing alone with nothing but the sea washing up and the sound of peddles rolling in the surf there is a sense of calm and control about the world…

Techie love:
4 frames, manually blended inΒ Adobe Photoshop, i could just about do it with one shot, however i wanted to maintain that rich colour in the horizon where the sun was poking up and also the shadow detail in the pebbles in the foreground.
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/14 and Shutter Speed: 20s over exposed shot (foreground rocks), 1.6s underexposed (for the sun and horizon) and 8s and 4s just to capture that nice blue in the sky which was a bit dark from the graduated filter.
out front – Lee Graduated Filter (0.9x) and Hoya CPL.

https://blog.avernus.com.au/no-rest-for-the-wicked/

Snake Head

Shakey Snakey - (c) 2014 Gerard Blacklock

D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 37.8
out front – Lee Graduated Filter (0.9x) and Hoya CPL.

So here in lovely oz we have some great wildlife/fauna and flora, all of which I love and enjoy seeing and photographing, but there are some days though when I wish we had New Zealand’s dangerous species..which amount to about none πŸ™‚

Let me paint a picture for ya πŸ™‚ its summer over here, its hot and the sun rises damn early, so to capture sunrise means I need to be at the location at least 45 minutes or 1 hour before the sun is scheduled to peak its nose over the horizon. This means if you have a bit of a hike to get to the place, its a dainty walk in the dark.. anyway, back to that picture…its 4:30am in the morning and I have about a 20 minute walk to get to the rocks on the headland (this ones called Goanna Head, should be called something else i reckon πŸ˜‰ ) so I set off, tripod in one hand with one leg (the tripod not mine) extended in the air to do a fine battle with the local spider colony and in the other hand a nice bright torch…cause damn its dark and there’s no moon.

This particular headland is much like many others dotted up and down the NSW coastline, low heath and brush, overgrown tracks, often quite sandy in spots and perfect environment for sneaky spiders to drop a face plant on the gerry when the tripod sword has wearied πŸ™‚ i digress.. I am a few minutes into the walk and already have felled many spidery enemy, I take to the turn to the right, cause the other way takes you off the cliff.. bad place that πŸ™‚ and by chance, rather than looking straight head I glance down and in the torchlight.. thank goodness for the big berther torch (600 lumens of night piercing goodness) there is a sneaky … ok lets be honest nothing sneaky about this one… there is shakey snakey curled up on the sand on the edge of the path, another step and I would have planted my great hoof right on him…

Now, after suffering a minor coronary I took the appropriate steps… backwards away from said shakey snakey, at a safe distance (well i reckon its safe) of about 4 metres, i beamed him proper with the torch..nothing, not a flinch. Whats got me concerned is why this shakey snakey did not do what normal snakes do.. be invisible and slither off into the bushes at the sound of me coming? now I know what ya thinking.. its dead… nope, rest assured he alive and well πŸ™ so a bit of stamping and tripod waving (at a distance) and he was still not moving his lazy ass..much. Probably because its early in the morning and he’s lost all the heat in his body thus reactions and response are slow and muted, this is probably the most dangerous for people since they don’t get out of the way soon enough and the snakes simply strike at the last minute.

Anyway, there was no way I was doing battle with this snake, I about faced and headed back, luckily there is a couple of paths on which I could circumnavigate shakey snakey. The remaining of the trip in was slow since i was pretty cautious and overly aware of how little protection my comfy sneakers would provide from a snake bite. Strangely enough I also saw a bundle of kangroos and two echidas, fauna’s day out or something i think :-/

Goanna head.. which i think should be renamed snakey head πŸ™‚ is actually quite renown for the number of brown and red belly black snakes (both which will kill you in a very short time), it was not that long ago a bloke was spraying bitou bush in the dunes not far from here and was bitten by a brown snake and was found a day later… πŸ™

In this case there was a happy ending, I made it to the spot I wanted to be at, just as the colour in the sunrise was coming on and very appropriately the first image resembles that of snake, reaching up into the gulleys of the rocks, didn’t get me this time πŸ™‚

Enjoy your New Years… without the shakey snakes πŸ™‚

Techie love:
Single shot
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 37.8
out front – Lee Graduated Filter (0.9x) and Hoya CPL.

Australia’s version of the moeraki boulders

Australia's version of the moeraki boulders - (c) 2014 Gerard Blacklock

D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 371.1s
out front – Hoya CPL. and Lee Graduated Filter 0.9x (3 stops) and Lee bigstopper

well the decrepit crusty old version anyways πŸ˜‰

I have seen this old rock a few times, but am yet to get there at high tide when the water is flowing around it, hopefully next time, providing I can avoid the snakes.

Single frame, long exposure
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 371.1s
out front – Hoya CPL. and Lee Graduated Filter 0.9x (3 stops) and Lee bigstopper

It’s a Light Bulb

Sydney NYE 2015 - (c) 2015 Gerard Blacklock

It’s a Light Bulb

Hey ya’all, happy NYE and welcome to 2015. May the year ahead be fulfilling and satisfying year in your life πŸ™‚ I am sure there is some chinese proverb which is better, but meh πŸ™‚

Here is the start of the third installment on the City of Sydney’s 5 million dollar powder/cracker show for NYE 2015… πŸ˜‰

Cloud

Cloud - (c) 2014 Gerard Blacklock

Cloud – (c) 2014 Gerard Blacklock
3 frame Stitched Panoramic , each frame timed to have matching waves πŸ™‚
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 1s
out front – Hoya CPL. and Lee Graduated Filter 0.9x (3 stops)

Its like a rain cloud following …just you
view large πŸ™‚ see if you can pick any stitching errors on this one πŸ˜‰

3 frame Stitched Panoramic , each frame timed to have matching waves πŸ™‚
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 1s
out front – Hoya CPL. and Lee Graduated Filter 0.9x (3 stops)

Timing

Timing - (c)  2014 Gerard Blacklock

Timing – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 1.3s, 4s, 8s and 20s
out front – Hoya CPL.

I waited pretty well all year to get this shot, at this time of the year the sun is at its most southerly point (when rising off the eastern horizon) and it just lines up with this channel at Little Bay NSW.

After today, it (the sun) basically starts heading north again and becomes obscured by the cliffs on the left of this picture. I had only one opportunity to get this shot, I had planned to get to the spot numerous times in the past weeks, but life, family and work came as a priority. I would have been pretty bent if the sunrise was crap, which it nearly was, sprinkling rain threatened to dislodge my plans, but fortunately it came together and there was just a thin band of clear sky on the horizon allowing the sun to sneak through for only a few minutes.

Nicely done mother nature, where would I be without ya πŸ™‚

Pretty tricky scene, lots of lines and uneven horizon and a super bright spot where the sun was. For this image I blended a few images together to capture that dynamic range in the sun., All manually blended in +Adobe Photoshop

4 frames
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 1.3s, 4s, 8s and 20s
out front – Hoya CPL.

 

The Long walk home

The Long Walk Home - (c) Gerard Blacklock

The Long Walk Home – (c) Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 1/6s
out front – Lee Graduated Filter (0.9x) and Hoya CPL.

Friday is almost here, almost time to go and smash some more light πŸ™‚

Single shot
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 1/6s
out front – Lee Graduated Filter (0.9x) and Hoya CPL.

Mayhem with a Mower

Scooter Chaos - (c) 2014 Gerard Blacklock

Mayhem with a Mower – (c) 2014 Gerard Blacklock
D750 coupled with Nikkor 85 f1.4 @85mm Aperture: f/2.0 and Shutter Speed: Typically either 1/800s or 1/2000s
ISO 100

We provide a very professional service, it all starts with a giggle, but they we get serious and get the job done, well we do a few strips anyway πŸ™‚

way to go tickles πŸ™‚

4 images, assembled into a quadtych
Exif/setup data:
D750 coupled with Nikkor 85 f1.4 @85mm Aperture: f/2.0 and Shutter Speed: Typically either 1/800s or 1/2000s
ISO 100
out front – mayhem with a mower….

Chaos on a Scooter

Chaos on a scooter - (c) 2014

Chaos on a scooter – (c) 2014
D750 coupled with Nikkor 85 f1.4 @85mm Aperture: f/2.8 and Shutter Speed: 1/4000s
ISO 100

 

In light of recent events in Sydney and the very much unecessary death of two innocent people, one with a family of young children my thoughts and best wishes go out to the family, now one without a mum and also another without their son.

My 5 year old daughter said to me on the way to her last day in pre-school, ‘did you hear about those people trapped in the cafe’
i said ‘yeah its very said and two people got killed’ she thought for awhile and said ‘alot of people did get out though’, fair enough i thought and replied with ‘ I feel very sad about those poor children now with out a mum’ to which my daughter, chaos, said ‘ I will give them a cuddle and let them know that their mum is in heaven with jesus and uncle’ πŸ™‚ …. the conversation then turned to whether you can die once your in heaven πŸ™‚ damn.. all these questions which I am supposed to know. Its amazing the empathy even a young child can have, one not clouded by political BS and society’s judgmental views
I hope you never lose that chaos and I am sure i can learn alot from you πŸ™‚
support the tag and make sure only good comes out of these events.

Exif/setup data:
D750 coupled with Nikkor 85 f1.4 @85mm Aperture: f/2.8 and Shutter Speed: 1/4000s
ISO 100
out front – chaos on a scooter

 

Indian Canyon

Indian Canyon - (c) 2014 Gerard Blacklock

Indian Canyon – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/20 and Shutter Speed: 20s
out front – Lee Graduated Filter (0.9x) and Hoya CPL

I had the foresight to bring a umbrella on this session, after viewing the rain radar which basically indicated there was some nasty red stuff gonna hit me right about sunrise, it was a good idea πŸ™‚ t rained and I still got wet πŸ™

I took 4 or 5 shots here and in the space of the 3 or 4 minutes the sky was covered with fog rolling off the hills behind me, this shot one the only one that was clear of said fog, some nicer water action in the Indian Channel would have been nice but… you take what you can get.

There is also a reason why those rocks in the foreground are black, wet and slippery… its ’cause the waves come over it every big set πŸ™ I got wet feet πŸ™‚

Single shot
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/20 and Shutter Speed: 20s
out front – Lee Graduated Filter (0.9x) and Hoya CPL.

Rail-roaded

Rail Roaded - (c) 2014 Gerard Blacklock

Rail Roaded – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 1.3s (Neutral image) 1/3s (underexposed) 5s (over exposed)
out front – Lee Graduated Filter (0.9x) and a krusty old bridge

Following on from some cliche jetties, I think its only appropriate to add a rail road and rail bridge in the mix πŸ™‚
I have driven past this bridge numerous times, but never stopped to take a picture, it was well past sunset and the sky still had a fraction of warmth in it so pulled in and rattled off a couple of shots. I have a BW version too, which I umm and arrr’ed over but ended up choosing the colour version since the rusty colours of the bridge really made it pop alot more.
Simple and cliche composition with pretty well no thought put into it – I really should try something different from the norm but some days its easier just to run with the tried and true options πŸ™‚

This is 3 images processed in +Nik Collection by Google‘s which for scenes like this just make processing the image a dream, the only thing needed to be cleaned up was some funky blue in the left tree.

3 frames automatically blended
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 1.3s (Neutral image) 1/3s (underexposed) 5s (over exposed)
out front – Lee Graduated Filter (0.9x) and a krusty old bridge

 

Cauldron of Death

Cauldron of Death - (c) 2014 Gerard Blacklock

Cauldron of Death – (c) 2014 Gerard Blacklock
10 shot panorama (vertical orientation)
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 1/20s
out front – Lee Graduated Filter (0.9x) and Hoya CPL

Well, if you survived the fall in there you would be hard pressed to get out even if fully capable, its either out that opening over there on the right (straight into the raging sea),or back towards the ocean directly underneath where this image was taken, under the natural arch/blowhole. In any case, a world of pain I think.

Probably only taken 20 thousand years for this to form πŸ™‚ I reckon it will still be there when I come back for a sunrise πŸ™‚

10 shot panorama (vertical orientation)
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 1/20s
out front – Lee Graduated Filter (0.9x) and Hoya CPL

 

Not quite straight

Not quite straight - (c) 2014 Gerard Blacklock

Not quite straight – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 1s
out front – Lee Graduated Filter (0.9x)

Nothing like a cliche jetty, this one is a bit special, tucked away under the bushes and only a 12 inch plank to get to this part of the jetty – there was some balancing required ;). There were also some nice clouds rolling on in, I would have loved to hang around, but alas I had to be elsewhere and this was a sneaky on the way home session πŸ™‚

Single shot
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 1s
out front – Lee Graduated Filter (0.9x)

https://blog.avernus.com.au/not-quite-straight/

Safe Passage

Safe Passage - (c) 2014 Gerard Blacklock

Safe Passage – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 2.5s
out front – Lee Graduated Filter (0.9x) and Hoya CPL

there is no ferry across this river

Whilst I would not say i get to all that remote places (I call the Gibb River Road remote), i do go to the out of the way and less visited spots (mainly to avoid the hordes of photographers – sydneys northern beaches i am looking at you here πŸ™‚ ) but it never ceases to amaze me that where ever I go I often see the remnants (and functional) tools or provisions placed on rocky outcrops or shelves by fisherman (or others?).

I am left wondering who would bother to drag down metal poles, a rock drill and cement to install tether point… or in this case a place to put a rope crossing between the mainland and this natural arch.

Whilst it is a little difficult to see in this image, there is a mating post/attach point on the rock off to the right of frame to join to the rusty pole in the foreground. It would be a pretty hair raising experience getting across there on a rope πŸ˜‰

so i dubbed this little river my version of the greek mythological river the styx.

Single shot
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 2.5s
out front – Lee Graduated Filter (0.9x) and Hoya CPL