Plateau

The Bilgola Shelf

Standing in water half way up my shins and with a third eye on the waves pounding the it was a fine balance between getting my ass wet and waiting for the right wave to come over the plateau. Its lucky I got long legs πŸ˜‰ 'cause there were a few grab the shorts moments.

Bilgola is a great little spot with some lovely cliff lines and interesting seascapes, whilst +Rodney Campbell and +Debbie Mooney worked on the Bilgola Pool, I slipped and slid over the shelf trying to line up the sky with the desired foreground πŸ˜‰

I have hit this image for the initial impact, I loved the almost nuclear green seaweed in the channel and the moment the morning light moves from the warm crimson tones to catching some of the blue as the day really takes hold – and of course that water that flows over like alien tentacles.

Basically its 3 frame blended shot but there is a few tricks in there to get to the end result .. but thats all boring stuff, just show me the picture πŸ˜‰

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 6s (neutral) 1/2s (under) and 5s (for the water flow)
ISO 100
out front – Hoya CPL, Lee Graduated 0.9 Filter

https://blog.avernus.com.au/plateau/

Strong

one stands firm and holds the rest at bay

Some days the conditions are just perfect, sure there is often no brilliant sunrise with reds and pinks, but when the stormy weather and threats of rain coming it can make for some really cool light and conditions.

I had spotted this big rock up the beach whilst capturing another smaller pair of rocks getting smashed by the waves. This beach and others nearby are fairly unique in that the sand and rock content is made up of a high percentage of coal (probably why the place is called Coalcliff), hence the sand is often quite dark.
This little spot was also quite pebbly, reminding me of Chinamans beach up on the north coast, the familiar sound of small rocks clattering together as the waves surged and retreated was also pretty cool.

After taking the first shot as the wave pushed past me and sunk my tripod another 2 inches into the pebbly beach I knew straight away this was a sweet rock and the conditions perfect for it. Even straight off the camera back (LCD) the rock lit up like a beacon as the white streaks of the waves raced around the base taking with it sand and pebbles. Its not often that I go wow at a picture off the back of the camera, but this was one of them.

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 2s
ISO 100
out front – Hoya CPL, Lee Graduated 0.6 Filter all covered with lots of spotty rain drops πŸ™

https://blog.avernus.com.au/strong/

Welcome to the Easter Bunny

he (or she) who paints the sky

We (and many other first time parents with kids in Kindergarten) have survived the first term of school and its time for some holiday Easter fun! thank goodness.

Well done chaos, that's one term down… only ….47 (i think) left πŸ˜‰

Every time i see a nice crimson sky or warm orange glow of the sunrise or sunset I am reminded of a time when my daughter (chaos) would always tell me how the Easter Bunny had painted the sky.

Its looking like a bit of a wet weekend, however, be sure to enjoy the long weekend wherever you are.

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 30s
ISO 100
out front – Hoya CPL, Lee Graduated 0.9 Filter

Back against the wall

This was taken after scrambling down the rock face only to find a rather large cave with some strange smells being emitted from it (maybe seals +Kitten KaboodleInc ?)
I had my back against the rock face next to the entrance of the cave half expecting a yowie (or seal i guess in hindsight) to appear at any moment, luckily no yowies πŸ™‚ but there were some very cool rocks, unfortunately the swell was pretty low so there was not much in the way of water movement here, but that little tinge of colour in the sky made up for it I think.

The climb out was not so graceful πŸ˜‰

2 image blend (i did not use the neutral exposure)
Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 13s (neutral) 3s (under) and 25s (over)
ISO 100
out front – Hoya CPL, Lee Graduated 0.9 Filter

Fire and Ice

Dreamin' of Iceland

Over the years I have always dreamed of visiting Iceland, such a interesting place, did you know they are the only country to import Breastmilk (from Denmark or thereabouts from memory) ? well thats not quite the reason for me wanting to visit but hey, still a fun fact.
I actually now think rather than visiting Iceland I would rather visit somewhere like sweden or Norway, purely based on the fact they seem to be less represented in the photographic tour departments πŸ˜‰
If I see another image of Gullfloss (or what ever it is) i think I am gonna barf, even if it is brilliant (which most are) πŸ™‚

So on that note, i have dedicated this image to me moving past my desire to visit Iceland (ok there might be the other 10K price tag factor too but….), hence I'll be happy with Sydney for the moment πŸ˜‰

Now this location is the unique Botany bay, the site of first white invasion in the country (yeah i know that'll rile some people up but relax, its history, deal with it πŸ™‚ ) But what I do like about it, beside being fairly local to me, is there are lots of cool locations, from the airport (for those plane nuts), to mangroves, to Bare Island, to industrial, something for everyone I say πŸ™‚ So.. at the crack of dawn I wandered down and was greeted by a local who said as he jogged away on his morning fitness run;
'ya picked a good one mate, its gonna light up nicely today'
So i found myself a nice little spot with my toes in the water, not really by choice, but I really wanted this composition which meant wet feet πŸ™‚ and.. waited for the promised colour. The dude was not wrong either, it turned out nice and I was outta there as the sun peaked over the horizon and home in time for pancakes with the girls. Nicely played I say πŸ˜‰

This is a 3 image blend (+Adobe Photoshop ) one for the foreground (+2EV), one for the hot stuff in the middle (-2EV) and one for the rest (0EV)

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 15s (0EV) 4s (-2EV) and 30s (+2EV)
ISO 100
out front – Hoya CPL, Lee Graduated 0.9 Filter

https://blog.avernus.com.au/fire-and-ice/

Its wicked world

and there's tiger striped rock hiding behind the bushes out to get you πŸ™‚

view large

I originally started with 5 landscape orientation images stitched together, this got cropped pretty ruthlessly down to what you can see now, which is probably only about 3 or 4 images overlapped 50%
I was not quite sure what composition I wanted when i took the shots, all I knew I wanted to included the element of the tiger rock, the foliage/bushes and the spooky star trek Enterprise shaped island in it πŸ™‚

Exif/setup love:
D750 coupled with 16-35mm f4 @ 30mm Aperture: f/14 and Shutter Speed: 1/2s
ISO: 100
out front – Lee Graduated Filter (0.9x) and Hoya CPL

Lead me to

its cliche but hey footsteps to better place

Foot steps in the sand, it been done a million times πŸ™‚ in this one I was just cruising down the beach (first set of prints running across) and noticed the little pebbles and thought I could get something to work with them, set the camera up and threw in a few extra footprints to boot πŸ™‚

Exif love:
D750 coupled with 16-35mm f4 @ 17mm Aperture: f/18 and Shutter Speed: 1/1.3s
ISO 100
out front – Lee Graduated Filter (0.9x) and Hoya CPL…. pre made footprints and the sun

Undecided

 

Undecided - (c) 2015 Gerard Blacklock

D750 coupled with 16-35mm f4 @ 18mm Aperture: f/18and Shutter Speed: 1s
ISO: 100
out front – Lee Graduated Filter (0.9x) and a polariser (HOYA screw in)

I could not actually decide which I liked the most – hence when in doubt, just throw it all in πŸ™‚ well in this case into a triptych.
I think its also a good example of how water movement and flow in a scene can change the overall feel look of the image. There was no change in the shutter speed, just in the timing of when to take the frame.

Can you pick which way the water is going in each frame? (in or out) which looks better? I typically find that taking the frame with the water flowing out seems to give better lines – this is not a hard and fast rule tho. Another important benefit of using the outflow is that your not crapping yourself when the big swamper comes thru and you got your eye plastered in the viewfinder trying to get that sweet frame and then blam πŸ˜‰

Exif/setup love:
D750 coupled with 16-35mm f4 @ 18mm Aperture: f/18and Shutter Speed: 1s
ISO: 100
out front – Lee Graduated Filter (0.9x) and a polariser (HOYA screw in)

 

Protection

Protection - (c) 2015 Gerard Blacklock

D750 coupled with 16-35mm f4 @ 16mm Aperture: f/10 and Shutter Speed: 1/1.3s
ISO: 100
out front – Lee Graduated Filter (0.9x) a bit of a wreck or something and some rockage

did not help this wreck
view large… its a crime not too πŸ˜‰

Whilst the colour and clouds were nice, i really liked this channel that ran between the breaking waves and outer rock shelf and the next set of rocks (which I am standing on). The small rock cluster, only standing several feet high created a calm little bay with the waves just bubbling thru the rocks and occasionally flowing over the top – I did wait for that set of waves, since that would have topped the image off I think, ie some nice water flowing over the rocks, but alas, patience got the better of me and at the time I was not overly impressed with the shot, only after i reviewed it on the the computer did it get a look in.

4 landscape orientation images stitched together in +Adobe Photoshop, the scene has a bit of the bendy feel to it due to the wide angle and in hindsight taking several steps back and running with 35mm focal length would have been a much better option, or even better swapping to a longer lens.

Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/10 and Shutter Speed: 1/1.3s
ISO: 100
out front – Lee Graduated Filter (0.9x) a bit of a wreck or something and some rockage

Parting

you don't need to stand tall to make a difference, just stand strong

'Dad, that must be a really happy rock, 'cause it got a big smile'

Chaos, my 4 yro, probably the best critic i have πŸ˜‰ this ones for you pumpkin.

Exif love:
D750 coupled with 16-35mm f4 @ 17mm Aperture: f/13 and Shutter Speed: 1s – the golden shutter speed for rocks and water…
out front – Lee Graduated Filter (0.9x) and Hoya CPL…. and a πŸ™‚ rock

* /_\ Triangular Flow /_\ *

Triangular Flow - (c) 2014 Gerard Blacklock

D750 coupled with 16-35mm f4 @ 16mm Aperture: f/20 and Shutter Speed: 6s
out front – Lee Graduated Filter (0.9x) and Hoya CPL…. and a funky /_\ rock

truth be known i am a bit of a ascii art fan πŸ˜‰

I am trying a little to shake my addiction to vertical/portrait orientation shots πŸ˜‰ well ok, i could not fit it in using a portrait frame πŸ™‚ but really, i am working on it, honest.

This was one cool rock with some very interesting channels around it, as the waves washed thru I was surprised in the way the water circulated around the rock in a triangular manner, which was a pleasant surprise, since I expected to get wet shoes again.

D750 coupled with 16-35mm f4 @ 16mm Aperture: f/20 and Shutter Speed: 6s
out front – Lee Graduated Filter (0.9x) and Hoya CPL…. and a funky /_\Β  rock

The Wedge

20,000 years in the making - (c) Gerard Blacklock

20,000 years in the making – (c) Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 20s
out front – Lee Graduated Filter (0.9x) and some big ass rock with a hole in its bum.

20,000 years in the making…

I was watching some show on the telly before about the oldest skeleton ever found, in England with some woolly mammoths head πŸ™‚ apparently its 29,000 years old.. thats pretty old.. the cave where they found it is right on the ocean, however apprently back in the day when the body was buried there the water was significantly lower 200 something feet and there were plains and stuff not the sea!

It never ceases to amaze me that in my short life time I can revisit a place, like this, several times in my life and I am pretty well guaranteed that it ain’t gonna change due to natural forces..and yet to form this little isolated island rock out cropping it would have taken thousands of years… yep i feel pretty insignificant.. especially given the billions who have came before..

well at least they did not take photos here I suppose πŸ˜‰

h/t to mother nature again πŸ™‚

4 shot panorama (landscape orientation)
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 20s
out front – Lee Graduated Filter (0.9x) and some big ass rock with a hole in its bum.

No rest for the wicked

Time to Burn - (c) Gerard Blacklock

D750 coupled with 16-35mm f4 @ 16mm Aperture: f/14 and Shutter Speed: 20s, 1.6s, 8s and 4s
out front – Lee Graduated Filter (0.9x) and Hoya CPL.

no time to burn

It feels like about 12 midnight and and I hear my youngest daughter, tickles aka Mayhem, stirring in cot, there was a little too much fun at the beach the day before and a bit too much heat for the little tacker which meant for a restless night – after 10 minutes of gerry’s pro rocking and soothing skills she was back down for another round of sleep and i thought, ‘sweet i gotta plenty of hours before my alarm goes off for my sunrise session’ πŸ™‚

However low and behold, what felt like literally 5 minutes and the alarm goes off and its 4:30 am…. damn…I lay there for several minutes contemplating whether the sunrise is gonna be worthwhile and whether I should get those extra 2 hours of sleep… as it happens, a few days before I had woken up early with the girls (chaos and mayhem) and we all watched the most spectacular sunrise I had ever seen, from the lounge room window πŸ™‚

I dragged myself from the bed with my ninja sleath skills and promptly cracked my head on the door as trying to carry my camera bag out in the dark, but luck was on my side and tickles remained asleep.. well long enough for me to bail πŸ˜‰

A short drive to Chinamans beach and i noticed the colour developing in the sky, awww man this means I am gonna have to run to get to my sunrise spot, with the camera bag on and the anti-spider equipment deployed I started a jog down to the beach…jeez..i should have layed off that crackling from christmas ;(

I love seascapes, i love sunrise, i do it all even in light of the lack of sleep and the pain of getting up and getting to a place.. the moment the suns colour develops and the morning starts it simply rejuvenates my soul. Standing alone with nothing but the sea washing up and the sound of peddles rolling in the surf there is a sense of calm and control about the world…

Techie love:
4 frames, manually blended inΒ Adobe Photoshop, i could just about do it with one shot, however i wanted to maintain that rich colour in the horizon where the sun was poking up and also the shadow detail in the pebbles in the foreground.
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/14 and Shutter Speed: 20s over exposed shot (foreground rocks), 1.6s underexposed (for the sun and horizon) and 8s and 4s just to capture that nice blue in the sky which was a bit dark from the graduated filter.
out front – Lee Graduated Filter (0.9x) and Hoya CPL.

https://blog.avernus.com.au/no-rest-for-the-wicked/

Snake Head

Shakey Snakey - (c) 2014 Gerard Blacklock

D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 37.8
out front – Lee Graduated Filter (0.9x) and Hoya CPL.

So here in lovely oz we have some great wildlife/fauna and flora, all of which I love and enjoy seeing and photographing, but there are some days though when I wish we had New Zealand’s dangerous species..which amount to about none πŸ™‚

Let me paint a picture for ya πŸ™‚ its summer over here, its hot and the sun rises damn early, so to capture sunrise means I need to be at the location at least 45 minutes or 1 hour before the sun is scheduled to peak its nose over the horizon. This means if you have a bit of a hike to get to the place, its a dainty walk in the dark.. anyway, back to that picture…its 4:30am in the morning and I have about a 20 minute walk to get to the rocks on the headland (this ones called Goanna Head, should be called something else i reckon πŸ˜‰ ) so I set off, tripod in one hand with one leg (the tripod not mine) extended in the air to do a fine battle with the local spider colony and in the other hand a nice bright torch…cause damn its dark and there’s no moon.

This particular headland is much like many others dotted up and down the NSW coastline, low heath and brush, overgrown tracks, often quite sandy in spots and perfect environment for sneaky spiders to drop a face plant on the gerry when the tripod sword has wearied πŸ™‚ i digress.. I am a few minutes into the walk and already have felled many spidery enemy, I take to the turn to the right, cause the other way takes you off the cliff.. bad place that πŸ™‚ and by chance, rather than looking straight head I glance down and in the torchlight.. thank goodness for the big berther torch (600 lumens of night piercing goodness) there is a sneaky … ok lets be honest nothing sneaky about this one… there is shakey snakey curled up on the sand on the edge of the path, another step and I would have planted my great hoof right on him…

Now, after suffering a minor coronary I took the appropriate steps… backwards away from said shakey snakey, at a safe distance (well i reckon its safe) of about 4 metres, i beamed him proper with the torch..nothing, not a flinch. Whats got me concerned is why this shakey snakey did not do what normal snakes do.. be invisible and slither off into the bushes at the sound of me coming? now I know what ya thinking.. its dead… nope, rest assured he alive and well πŸ™ so a bit of stamping and tripod waving (at a distance) and he was still not moving his lazy ass..much. Probably because its early in the morning and he’s lost all the heat in his body thus reactions and response are slow and muted, this is probably the most dangerous for people since they don’t get out of the way soon enough and the snakes simply strike at the last minute.

Anyway, there was no way I was doing battle with this snake, I about faced and headed back, luckily there is a couple of paths on which I could circumnavigate shakey snakey. The remaining of the trip in was slow since i was pretty cautious and overly aware of how little protection my comfy sneakers would provide from a snake bite. Strangely enough I also saw a bundle of kangroos and two echidas, fauna’s day out or something i think :-/

Goanna head.. which i think should be renamed snakey head πŸ™‚ is actually quite renown for the number of brown and red belly black snakes (both which will kill you in a very short time), it was not that long ago a bloke was spraying bitou bush in the dunes not far from here and was bitten by a brown snake and was found a day later… πŸ™

In this case there was a happy ending, I made it to the spot I wanted to be at, just as the colour in the sunrise was coming on and very appropriately the first image resembles that of snake, reaching up into the gulleys of the rocks, didn’t get me this time πŸ™‚

Enjoy your New Years… without the shakey snakes πŸ™‚

Techie love:
Single shot
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 37.8
out front – Lee Graduated Filter (0.9x) and Hoya CPL.

Cloud

Cloud - (c) 2014 Gerard Blacklock

Cloud – (c) 2014 Gerard Blacklock
3 frame Stitched Panoramic , each frame timed to have matching waves πŸ™‚
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 1s
out front – Hoya CPL. and Lee Graduated Filter 0.9x (3 stops)

Its like a rain cloud following …just you
view large πŸ™‚ see if you can pick any stitching errors on this one πŸ˜‰

3 frame Stitched Panoramic , each frame timed to have matching waves πŸ™‚
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 1s
out front – Hoya CPL. and Lee Graduated Filter 0.9x (3 stops)