Bioluminescent ocean surf

Bioluminescent ocean surf - (c) Gerard Blacklock

D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/3.3 and Shutter Speed: 329.5s
ISO: 200
Outfront – a hoodie, a big f-off drop and some funky-ass wave action.

So here we are, myself and Rodney perched out on some freaking rock outcropping atop a old munitions bunker trying to get a better view on the freaky stuff happening in the ocean, my first thought was a super aerated water being more reflective (and white) to light etc however it would have appear, to the naked eye and also to the camera sensor there was some bizarre means to which the ocean seem to emanate a glow when the waves shamed on the rock shelf.

I have seen images of the crazy ones in San Deigio but they are much more prominent. Clues anyone, surely we do not have Bioluminescent ocean here?!

Ironically, in less than 7 hours I was in a boat out in that very ocean doing some deep sea fishing, which btw was was pretty successful, got me some very tasty flathead and bream, real man sized fish 🙂

Single shot
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/3.3 and Shutter Speed: 329.5s
ISO: 200
Outfront – a hoodie, a big f-off drop and some funky-ass wave action.

Searching for the Portal

Searching for the Portal - (c) 2014 Gerard Blacklock

Searching for the Portal – (c) 2014 Gerard Blacklock

urban fire

Its been many weeks since I have had the opportunity to do some light painting, actually to do some photography fullstop 🙂 so on a sneaky session on the way home from work I tested out a cool location which myself, tickles and chaos had scoped out during our regular parklife tours.

Chaos after viewing the image said:
“Dad, what are you doing in that picture”
I did then try to (unsuccessfully) explain and I think chaos thinks I am a bit weird now 🙂
How do you explain wandering around in a dark park with torches, lights, steel wool and colourful wire all the while taking pictures?
In anycase I am sure chaos will be keen to help out in the EL wire application for the next image, she would rather use the steel wool spin, but dad’s OHS policy will prevent that.

Single shot
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/8 and Shutter Speed: ~200s (and yes I know the exif says 33 secs, trust me its 200 seconds :))
out front – funky ass sculpture
Lightpainting: Red and Blue EL wire on the bridge. Red LED torch on the ground to the left, white LED torch from across the pond on the left, gerry spinning wool in the centre.

No wildlife harmed (except for that jumping fish 🙂 ) or fires started

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed.

Respect, Unity and Peace

Respect, Unity and Peace - (c) 2014 Gerard Blacklock

Respect, Unity and Peace – (c) 2014 Gerard Blacklock

I think in light of some the crazy stuff going on in the world and also closer to home, that this image is quite timely.

This is a sculpture in the inner west of Sydney, I think mainly for driving unity between the original owners of the land and the peeps who turned up in the last few hundred years 🙂

What I really like is the fact that this sculpture and surrounds are few from vandalism and graf, something only a very few things are immune to in the inner suburbs of Sydney. There are a few murals in Newtown/Enmore which seem to garner respect across all levels of society.

Here is to hoping peace, unity and respect can prevail in a world which we sadly call advanced.

Single shot
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/8 and Shutter Speed: 150s
out front – funky ass sculpture
Lightpainting: Coloured LED torch beaming up, Blue and red EL wire used to illuminate the base of the art and ground. White LED torch (low level) from the right to illuminate the plants.

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed.

Warm Sand

Warm Sand - (c) 2014 Gerard Blacklock

Warm Sand – (c) 2014 Gerard Blacklock

Dark Point

Techie love:
4 shot panorama (bracketed)
Exif/setup data:
D7000 coupled with a Nikkor 17-55mm f2.8 @17mm Aperture: f/13 ISO 100 and Shutter Speed: various
Out front: Lee Graduated Filter (0.9) Circular Polariser and plenty of sand

Melding of Arts

Melding of Arts - (c) 2014 Gerard Blacklock

Melding of Arts – (c) 2014 Gerard Blacklock

I have a mate who I have known for years (10+ yrs), he’s a bit eccentric, someone whom you may look twice at walking down the street, like most of us, he has had his ups and downs. He has flown planes, dabbled in building planes, dabbled in engineering but for the entire time I have known him, he has written poetry and rather well at that.

Over the years he has shared hundreds of poems with me, some no more than several lines penciled on a napkin, some elaborately presented on posters. Its only after several years did i notice I can truly see his journey through life through his poems, during the good times and the bad the poetry has reflected where he was at during that moment, week or even year, who he was with and what he was doing.

Sometimes it (poetry) had taken a back seat to pursue engineering, a dream and passion he thrives on and longs for but always it returned and another work was written, sometimes these breaks went for over a year.

Often he has asked for and used a picture of mine to couple with his poetry, often as a bookmark, small booklet, poster or just a card. He would then head out to sell them, often quite successfully too! he would always say
“it must be the picture”
however truth be told I know its more than that, good words and words that we can all relate to and engage with are worth more than a picture ever would be (to me anyway), plus, anyone can take a half decent photo 🙂

So, in a recent venture and after many months of me dragging the chain he got together a number of he recent works together and matched them to a selection of my recent images. The result,
Light on Life
a small 16 page booklet of short poems.

You will not find these online, you will not find the poet online, not on gplus, facebook or the like, you might see him one day on the streets of Newtown or close by selling his work.

Over the years he has given me a copy of some of his publications, the only requirement I have asked for in return for the use of the images 🙂 I told him the other day, you must make sure you have a backup of all your poetry and he said, in not so many words,
“no, i write it, print it sell it and basically move on”
So, i guess… in a way ..each run is limited 🙂

Good on ya Neil.

Here is the first poem in the book, just as a sampler 🙂

To the Missed
Will there be
A hug for me
In that moment I
Glimpse you in
Eternity?
Your love ran
Cold on stones
My Love in that
Moment you died
The icy breath
Of death’s vale
Met even you!
Oh, greet me
With the kiss
I loved.

Copyright Neil Andrew Granger

and so there it is…the point of the title.. the melding of the Arts, Brilliant Poetry by Neil Granger and Photography by Gerard Blacklock (‘Gerry”)

The battle – Light vs Dark

Light vs Dark - (c) 2014 Gerard Blacklock

Light vs Dark – (c) 2014 Gerard Blacklock
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/8 and Shutter Speed: 152s
out front – LEE graduated filter 0.9, LEE bigstopper and screw in circular polariser and a battle between the rocks

and whats left between

I really liked this scene, the comparison between the warm friendly looking rock in the front and the mean dark ominous rock out back simply meant I could not compose it any differently, I did have to crop out a rock off to the left, but hey, sometimes nature does not see my entire vision and needs to be bent a little bit to achieve the artistic license 😉

Single frame
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/8 and Shutter Speed: 152s
out front – LEE graduated filter 0.9, LEE bigstopper and screw in circular polariser and a battle between the rocks

Studio

Tickle Studio - (c) 2014 Gerard Blacklock

Tickle Studio – (c) 2014 Gerard Blacklock

Welcome to the tickle studio
I just found the best studio for doing portraits in, well kids portraits anyway 😉 now coined “The Tickle Studio”

Its a background, diffuser, child barrier and child entertainer all in one and for less that 20 bucks 🙂 My little tickles dutifully adorned with head band, testing it out for me, this is her corporate look – nicely done and I reckon your pretty darn cute 🙂

Texture Duo

Texture Duo - (c) 2014 Gerard Blacklock

Texture Duo – (c) 2014 Gerard Blacklock
D7000 coupled with Tokina 11-16mm f2.8 @13mm Aperture: f/8and Shutter Speed: 10 seconds
out front – LEE graduated filter 0.9, LEE bigstopper and screw in circular polariser

So I am sitting here with two keyboards, two mice and Tickles, who is taking immense enjoyment in bashing out on one keyboard and mouse, it all goes well until she realises she wants my mouse and keyboard, which are much more interesting (probably ’cause they get a funny reaction from dad), especially the mouse with its cool little red light 🙂
Editing images is always fun with either tickles or chaos, it takes 10 times longer than normal and I lose a few hairs through frustration but its still worth it 😉

So, this image, intended to be BW from the get go, is dedicated to tickles! Pretty typical semi-LE seascape image which could have actually worked in colour also, there was some nice subtle warm glow on the top of the clouds but I felt that water flow and texture in the rocks did not need any colour to really make it shine.

Single frame
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @13mm Aperture: f/8and Shutter Speed: 10 seconds
out front – LEE graduated filter 0.9, LEE bigstopper and screw in circular polariser

I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed and always appreciate the time people take to have a look, plus and/or comment.

Comparison

The difference time makes
1/3 of a second vs 175 seconds
The prelude to the following shot, mainly to test the composition.
https://plus.google.com/100975265940134223422/posts/JjW9rZZuD3w

Single frame
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/16
ISO 100 and Shutter Speed: 1/3s
out front – LEE Graduated Filter 0.9x screw in circular polariser and…

I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed and always appreciate the time people take to have a look, plus and/or comment.

Evolution

We are getting there, we have tried all the options and alternatives and I think that we have mastered the art of getting the yummy stuff that gets put in a bowl ( which is suctioned to the table for safety:) ) to the place that satisfies… the face 🙂
ya doing great tickles.

Heart Shaped Falls

its a jungle in there!
View large or go home 😉
Well you may not be able to see the heart shape from this angle, however rest assured, this little set of falls has been coined by +O. Sydney and from his composition, lower and and the left, it does resemble a Heart 🙂

The light was coming and going as the clouds roared over head and intermittent spurts of rain fell, this gave the opportunity to catch the shot whilst some areas were nicely illuminated giving that dappled type of light.

This style of processing and capturing images is becoming pretty standard for me and I think I do need to branch out and try something alittle different 🙂 Panorama image with a total of 5 frames stitched together, each frame bracketed to capture the full dynamic range, which you can see in the upper falls in the top of the image. As usual, manually blended to achieve the lighting that I recall seeing.

5 shot Panorama (bracketed)
Techie data:
D7000 with Nikkor 17-55mm f2.8 @ 19mm – Aperture: f/8 and Shutter Speed: 31.5 (normal frame) 1/3s dark frame) and 6 s (bright frame)
ISO 100
Out front: Hoya Circular Polariser, lots of rocks, slippery ones, some vines and a trickle of water 🙂

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed.

Slippery Crossing

choose your path carefully

3 frame manually blended image
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/16 and Shutter Speed: 8s (mid frame) 2s (bright area) 30s shadows and under rocks 🙂
out front – screw in circular polariser

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed.

Spacemen

ready to launch

A pair of spacemen wearing yellow pants and white helmets 😉
Slipper Orchids, these are quite amazing flowers, the level of detail and texture in them astounds me.

Nicely done mother nature could not have done it better myself. Its always a challenge to capture the full depth of field when macro'ing, focus stacking is one technique, but time consuming and often (for me) does not give the desired results, in this case I use a couple of images manually blended to achieve my depth of field and also maintain some nice smooth, soft background. The other challenge posed by these flowers is the red tone, very hard to replicate and convey in a image such that it looks like what it does in real life. The red is a real deep dark red encased in areas of soft pink and spotty white. The yellow bits are .. well bloody bright yellow, i guess to attract the pollinators 🙂

2 frames Blended
Exif/setup data:
D7000 coupled with Nikkor 55mm f2.8 @55mm Aperture: f/13 and Shutter Speed: 1/3s
ISO 100
out front – Slipper Orchid

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed

Family

and there were 4 in the dunes and the little one said.. where to now?

This scene with the grass clumps reminds me of my own family, my beautiful partner (wifey) front row centre, mayhem off to the left (and as always.. heading off to explore with no fear), me , i am the big clump off to the right with chaos close by keeping a eye on me 🙂

Its a big world out there 🙂

Whilst our dune-age here in NSW Australia does not compare to the stuff in the middle of the county or even some the awesome ones over in other countries, I still love getting out there and trying to capture that expansive, bleak and textured scenes – i hope I have acheived it here and gotten you lost in the scale of the vanishing horizon and classic big blue aussie sky.

Single frame
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/16 and Shutter Speed: 1/20s
ISO 100
out front – Screw in Hoya Filter – circular polariser

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed

Softeness is

Campcove
From a recent sunset session with +Rodney Campbell , i had set up on the beach only to find the ever increasing waves encroaching on my position (that would be those darn ferries), this was the third attempt and finally got a result that did not have from the sand disappearing from underneath 🙂

Single frame
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/6.7 and Shutter Speed: 299s
out front – LEE graduated filter 0.9, LEE bigstopper and screw in circular polariser
out to the right – Rodney Campbell

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed