Cauldron of Death

Cauldron of Death - (c) 2014 Gerard Blacklock

Cauldron of Death – (c) 2014 Gerard Blacklock
10 shot panorama (vertical orientation)
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 1/20s
out front – Lee Graduated Filter (0.9x) and Hoya CPL

Well, if you survived the fall in there you would be hard pressed to get out even if fully capable, its either out that opening over there on the right (straight into the raging sea),or back towards the ocean directly underneath where this image was taken, under the natural arch/blowhole. In any case, a world of pain I think.

Probably only taken 20 thousand years for this to form 🙂 I reckon it will still be there when I come back for a sunrise 🙂

10 shot panorama (vertical orientation)
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 1/20s
out front – Lee Graduated Filter (0.9x) and Hoya CPL

 

Not quite straight

Not quite straight - (c) 2014 Gerard Blacklock

Not quite straight – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 1s
out front – Lee Graduated Filter (0.9x)

Nothing like a cliche jetty, this one is a bit special, tucked away under the bushes and only a 12 inch plank to get to this part of the jetty – there was some balancing required ;). There were also some nice clouds rolling on in, I would have loved to hang around, but alas I had to be elsewhere and this was a sneaky on the way home session 🙂

Single shot
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/13 and Shutter Speed: 1s
out front – Lee Graduated Filter (0.9x)

https://blog.avernus.com.au/not-quite-straight/

Safe Passage

Safe Passage - (c) 2014 Gerard Blacklock

Safe Passage – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 2.5s
out front – Lee Graduated Filter (0.9x) and Hoya CPL

there is no ferry across this river

Whilst I would not say i get to all that remote places (I call the Gibb River Road remote), i do go to the out of the way and less visited spots (mainly to avoid the hordes of photographers – sydneys northern beaches i am looking at you here 🙂 ) but it never ceases to amaze me that where ever I go I often see the remnants (and functional) tools or provisions placed on rocky outcrops or shelves by fisherman (or others?).

I am left wondering who would bother to drag down metal poles, a rock drill and cement to install tether point… or in this case a place to put a rope crossing between the mainland and this natural arch.

Whilst it is a little difficult to see in this image, there is a mating post/attach point on the rock off to the right of frame to join to the rusty pole in the foreground. It would be a pretty hair raising experience getting across there on a rope 😉

so i dubbed this little river my version of the greek mythological river the styx.

Single shot
Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/18 and Shutter Speed: 2.5s
out front – Lee Graduated Filter (0.9x) and Hoya CPL

Time stands still for no man (or woman)

 

Time stands still for no man (or woman) - (c) 2014 Gerard Blacklock

Time stands still for no man (or woman) – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 32mm Aperture: f/10 and Shutter Speed: 243.9s
out front – Lee Graduated Filter (0.9x), Hoya CPL and LEE bigstopper

Summer brings with it very early sunrises, like in the order of 5:30am kinda early, this does make it a challenge to get up, travel to a location and get there in time for some sweet light. Throw into the mix the variable weather and of course the prospect of non-sweet light and its one more factor for staying in bed 🙂

I have been trying to get back to this location for some years now and finally I had the opportunity to do so, with no regard for weather or sunrise time I made the venture out, noting that the weather radar indicated showers, just my luck. There is always trepidation arriving at a location (alone), even one with I have been to before, in pitch blackness armed with a torch, a pair of shorts and camera gear, even moreso when its a hike in through the bush, things can look very different in the day 🙂
But, today was different, i had a freshly purchased mozzie repllant spray 😉 which I applied in excess amounts to my bare skin, which consisted mostly of my legs 🙂 I thought.. yeah this will thwart them f’ing mozzies 🙂 and it did… for the first 15 minutes :(…but they were the least of my worries, battling my way thru the dark with one tripod leg held high i was doing hard battle with another forest fiend.. .. the mighty spider that hangs across the path waiting for the unsuspecting walker to face slap..now these are probably pretty harmless (or not who knows?) but the fact that they are fat.. hairy and large and on your face will make even a grown man squeel 🙂

Anyway enough of the bush bashing stories, just imagine me arriving at this stunning location with remnants of spiders on my head and a swarm of mozzies in tow and you get the picture… segway, speaking of pictures, this cool rock formation and some sweet cloud action provided some very nice atmospherics for a short time, all of which screamed at me to be photographed.. so I did.

Single shot
Exif/setup love:
D750 coupled with 16-35mm f4 @ 32mm Aperture: f/10 and Shutter Speed: 243.9s
out front – Lee Graduated Filter (0.9x), Hoya CPL and LEE bigstopper.

The Magic Island

Magic Island - (c) 2014 Gerard Blacklock

Magic Island – (c) 2014 Gerard Blacklock
D750 coupled with Tokina 11-16mm f2.8 @ 16mm Aperture: f/8 and Shutter Speed: 289s
Lightpainting: coloured LED torch from various angels

step carefully
they maybe strange things in the water

Techie love data
D750 coupled with Tokina 11-16mm f2.8 @ 16mm Aperture: f/8 and Shutter Speed: 289s
Lightpainting: coloured LED torch from various angels

 

Nice day for tinny ride

Tinny Ride - (c) 2014 Gerard Blacklock

Tinny Ride – (c) 2014 Gerard Blacklock
D750 coupled with Tokina 11-16mm f2.8 @16mm Aperture: f/11
Shutter Speed: 0.6 seconds (neutral frame)
ISO 100
out front – Lee Graduated Filter 0.9x and the Hoya Circular Polariser.

boating on Gordons Bay
Following on from my previous version of this composition with a long exposure (https://blog.avernus.com.au/muted-maritime-dreams/) I also made a ‘conventional’ style shot, I really wanted the lines of the boat rack to shine through and compliment the little aluminum boat but trying to get enough space around it was difficult and it felt like my lens was never quite wide enough 🙂

The clouds did come to the party in this case and put on a nice show as the sun rose behind them (you can see this in the LE version too), even with the sun being shadowed by the clouds the dynamic range in the scene was still very large and as a result this frame is the culmination of 3 bracketed shots to maintain the the shadow detail, particularly in the foreground below the boat.

I don’t like to present two shots of the same composition, but I think it’s a good example how the mood of a shot can be drastically changed by the shutter speed, plus my pano of this location failed to stitch 🙁 so single vertical composition it is..

Nice day for a little boating adventure too.

Exif/setup data:
3 Bracketed shots manually blended in +Adobe Photoshop
D750 coupled with Tokina 11-16mm f2.8 @16mm Aperture: f/11
Shutter Speed: 0.6 seconds (neutral frame)
ISO 100
out front – Lee Graduated Filter 0.9x and the Hoya Circular Polariser.

https://blog.avernus.com.au/nice-day-for-tinny-ride/

‘S’ is for Summer

 

S os for Summer - (c) 2014 Gerard Blacklock

D750 coupled with Tokina 11-16mm f2.8 @16mm Aperture: f/13 and Shutter Speed: 1/1.3 s
ISO 100
out front – Lee Graduated Filter 0.9x and the Hoya Circular Polariser.

and s-curves of course

Some nicely greenery and rocks on the edge of Lurline Bay bathed in the warm afterglow of a fiery red sunrise.

Exif/setup data:
Single shot
D750 coupled with Tokina 11-16mm f2.8 @16mm Aperture: f/13 and Shutter Speed: 1/1.3 s
ISO 100
out front – Lee Graduated Filter 0.9x and the Hoya Circular Polariser.

 

Muted Maritime Dreams

Muted Maritime Dreams - (c) 2014 Gerard Blacklock

D750 coupled with Tokina 11-16mm f2.8 @16mm Aperture: f/11
Shutter Speed: 248 seconds
ISO 100
out front – Lee Graduated Filter 0.9x, Lee Bigstopper and the Hoya Circular Polariser.

smoothing out the rough seas with a very long exposure.

Exif/setup data:
D750 coupled with Tokina 11-16mm f2.8 @16mm Aperture: f/11
Shutter Speed: 248 seconds
ISO 100
out front – Lee Graduated Filter 0.9x, Lee Bigstopper and the Hoya Circular Polariser.

 

Sisterly Love

Face Painted - (c) 2014 Gerard Blacklock

D750 coupled with Nikkor 85 f1.4 @85mm Aperture: f/2and Shutter Speed: 1/400s
ISO 100

So I come back after leaving chaos and mayhem together for a few minutes and find someone got face painted with a crown and rosy cheeks and got loaded up with some crackers…
I should have known better than to leave them together alone, these two are gonna live up to their nicknames I reckon 🙂

I see some similarity to “Ben and Holly” here 🙂

D750 coupled with Nikkor 85 f1.4 @85mm Aperture: f/2and Shutter Speed: 1/400s
ISO 100

Siberian Husky

Siberian Husky - (c) 2014 Gerard Blacklock

D750 coupled with 135mm f2.5 @ 105mm Aperture: f/8 and Shutter Speed: 1/500s
ISO: 100
Out front: nada, just a puppy dog and a happy owner / feeder.

mans best friend
view this one large, since panos lose their impact here on gplus.

This guy had the right idea, getting the puppy dog out for a walk early in the morning before the heat hit, the two of them sat on the edge of the cliffs for a some time enjoying the beautiful cool morning, which was convenient for me since I had time to swap lens and bash out a few shots for a panorama view of the scene.
I really do like these spontaneous shots of people, however my photographic aversion to crowds means the chance of them happening is slim 😉

Techie love:
3 shot panorama.
have used this lens quite a bit since going to FX format 🙂 lucky, since it was on the sell list until the other week.
D750 coupled with 135mm f2.5 @ 105mm Aperture: f/8 and Shutter Speed: 1/500s
ISO: 100
Out front: nada, just a puppy dog and a happy owner / feeder.

Crowded

Crowded - (c) 2014 Gerard Blacklock

D7000 coupled with Nikkor 105mm f4 @105mm Aperture: f/16 and Shutter Speed: 1/180s
ISO:800
This also included the PK-13 extension tube.

 

there is always someone who strives to be in a different place and some who who don’t quite make it 🙂

Single shot
Exif/setup data:
D7000 coupled with Nikkor 105mm f4 @105mm Aperture: f/16 and Shutter Speed: 1/180s
ISO:800
This also included the PK-13 extension tube.

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed

 

Wave Power

Wave Power - (c) 2014 Gerard Blacklock

Wave Power – (c) 2014 Gerard Blacklock
D750 coupled with Tokina 11-16mm f2.8 @16mm Aperture: f/13
Shutter Speed: 319 seconds
ISO 100
out front – Lee Graduated Filter 0.9x, Lee Bigstopper and the Hoya Circular Polariser.

a man born well before his times

After posting my previous version of the Lurline Channel image (https://blog.avernus.com.au/lineup-lurline/) and incorrectly and ignorantly labelling it some sewer channel it got me thinking (as rare as that is) about why the channel was there, so off to mister +Google+ it was for some research, it was very quickly apparent that the channel was anything but a sewer outlet, in fact it was part of a very historic moment in time and also very much about a man, Peter Bates who was well ahead of his time. Peter, designed, built and successfully proved that wave powered electricity generation was possible and potentially feasible at this location – Lurline Bay Power Generation.

It is quoted ‘the Lurline Bay power project was a remarkable story of human perseverance and , ultimately , bitter disappointment’. I don’t entirely agree, disappointment maybe.. but remarkable achievement all the same, especially given the era.

Peter was, in the true sense of the word, a engineer, with no formal training, he was a man with the natural tendency to think like a engineer and harvest scientific information and engineering skills, his feats on the Lurline Bay Power project (and other smaller projects, moving eyes for dolls, rock drilling…) just go to show that simply a university education is not enough to be able to quality yourself as a engineer – that is another whole story in itself btw 🙂

After quite a life of engineering, importing scissors, singing family and kids among other things, and at the ripe age of 51, Peter turned to concentrating on his Wave Generation project. In 1920 he submitted a patent titled “Improvements in and Relating to the Utilisation of Wave Motion”. In 1921 he really got cracking and with a 5 year leave pass from his wife 🙂 , a sidekick to help and also some funding he managed to successfully setup a system consisting of vanes, pumps and turbine / dynamo to produce enough electricity to power a single light 🙂 .. well we gotta start somewhere right!

The project continued to develop past the 5 year leave pass (1929) from his wife (man I am glad i was not there asking for another 5 years!) but successfully managed to refine the design and system to produce a peak power of 5,000 watts.. that’s pretty respectable for that era. This is basically where it ends it would seem…

As part of the design and probably something that took up a large portion of the time was the building of the channel, this was cut from Sydney sandstone, which by stone types is actually quite soft, but I am sure when your cutting it by hand it is still bloody hard. Anyway, the channel is obviously still there today with some of the original brickwork (and pole) and is the main feature that I noticed when doing some research for a sunrise photoshoot here.

So there you have it. This location is part of the renewable energy generation.. nearly 100 years too early 🙂

Here’s to you Peter Bates, h/t.

Onto the image, this is the composition and the position of the sun I have been waiting to capture for some moths, it lines up nicely in the months of November and December, I had taken a few conventional shots prior to this and the sun was just starting to peek over the thick band of cloud on the horizon, to slow things down a bit I used the Lee Bigstopper to really extend the exposure time, however, I made one cardinal sin (in addition to all the others I have made 😉 ) I did not cover my viewer finder with the DK-5 cover, this is the only feature that nikon needs to be beaten over the head for when it comes to the D750. One has to remove the eyecup and place this fiddly little plastic cap on the viewerfinder, what a pita, really nikon, you could have just stretched it to include a viewfinder bind…

Anyway, as a result of not covering the viewfinder, I ended up with a nasty vertical streak in the frame (top to bottom), after swearing profusely to Rodney and wishing a thousand papercuts to the nikon engineer who designed the D750 without a view finder blind I resigned myself to another ruined 4 minute exposure…

Later, when processing a few of the images from the morning I was looking at this streaky frame thinking, ‘can I salvage this?’ I decided to give it a crack.. after about 30 minutes of tweaks, adjustments and voodoo magic I got it to a point where the vertical band was… well .. less noticeable..

So, can you pick where the vertical band was??

 

Exif/setup data:
D750 coupled with Tokina 11-16mm f2.8 @16mm Aperture: f/13
Shutter Speed: 319 seconds
ISO 100
out front – Lee Graduated Filter 0.9x, Lee Bigstopper and the Hoya Circular Polariser.

for more info about Lurline bay:
http://lurlinebay.com.au

Its closing in

Closing in - (c) 2014 Gerard Blacklock

Closing in – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/11 and Shutter Speed: 168s
ISO: 100
Out front: Lee graduated filter (0.9x) and Lee Bigstopper

The only reason I got to see this tree , let alone photograph it was due to work (which I am sitting her currently doing, the joys of on call) with a little luck (as strange as it may seem 🙂 ) I may not revisit this location for quite some time, however in the meantime its a location with many memories and still plenty of un-processed images sitting on the harddrive. I am sure down the track I will get to several of the other images that are tagged ‘to do’ but for now as the night closes out and morning approaches – a image to match my mood.

Single image, long exposure, processed exclusively in +Adobe Photoshop using the +Nik Collection by Google
(I did add the border in +Adobe Photoshop Lightroom 🙂 )

Techie love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/11 and Shutter Speed: 168s
ISO: 100
Out front: Lee graduated filter (0.9x) and Lee Bigstopper

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed.

Worship

Devlis Cauldron - (c) 2014 Gerard Blacklocj

Devlis Cauldron – (c) 2014 Gerard Blacklocj
D750 coupled with 16-35mm f4 @ 32mm Aperture: f/9 and Shutter Speed: 25s
out front – nude worshiping sculpture:)
Lightpainting: Pencil LED torch and my bike lamp (red)

the devils cauldron where ….

Another view of this tiny little sculpture.

Single shot
Exif/setup data:
D750 coupled with 16-35mm f4 @ 32mm Aperture: f/9 and Shutter Speed: 25s
out front – nude worshiping sculpture:)
Lightpainting: Pencil LED torch and my bike lamp (red)

Gold Door

Gold Door - (c) 2014 Gerard Blacklock

Gold Door – (c) 2014 Gerard Blacklock
7 shot panorama, non bracketed, i was feeling lazy and hoped the awesome sensor on the D750 woudl come to my rescue in the highlight department.. which it did 🙂
Techie exif data love..
D750 coupled with Tokina 11-16mm f2.8 @ 16mm Aperture: f/16 and Shutter Speed: 1/2.5s
Out front: Lee graduated filter (0.9x) adjusted to all kinds of funky angles to bend around the building…. and of course Rodney and his white socks …

sneaky sunday sunrise sessions
Perched upon a sweet looking headland was this rather large residence with a private access door right onto the rocks – with the white fence to prevent potential intoxicated guest from meeting a bad end at the foot of the cliffs..must be a hard life 😉

The fence was not looking much chop by it self however +Rodney Campbell was working hard to bring something to life with it. I opted for a some pano and sky action thinking that the sky and that cool weather worn door could work. Doors never fail, just about any shot of a door works..that said, its gotta be one of my first 🙂

Rodney can be seen here in his trademark white socks photobombing my shot as usual 😉 although he does add a point of interest.

7 shot panorama, non bracketed, i was feeling lazy and hoped the awesome sensor on the D750 woudl come to my rescue in the highlight department.. which it did 🙂
Techie exif data love..
D750 coupled with Tokina 11-16mm f2.8 @ 16mm Aperture: f/16 and Shutter Speed: 1/2.5s
Out front: Lee graduated filter (0.9x) adjusted to all kinds of funky angles to bend around the building…. and of course Rodney and his white socks …