Park Life

Park Life - (c) 2014 Gerard Blacklock

Park Life – (c) 2014 Gerard Blacklock
D7000 with Nikkor 17-55mm f2.8 @ 24mm – Aperture: f/8 and Shutter Speed: 1/60 seconds

and apartment living
One thing I do love about the Inner West of Sydney is the number of parks especially given that we all have to live in shoe boxes, well most of us πŸ˜‰ Parks do feature pretty heavily for most people in the area, whether your a dog lover and taking your ball chasing guard dog for a run or getting some exercise or getting the kids out for while…

Sydney Park is one of my favorite parks, mainly since its such a great example of what councils/governments can do with a refuse site if they put their mind and money to it, its also pretty photogenic, with lots of nice spots for all kinds of stuff, lightpainting, landscape, airport, city views.. etc..

Its hard to believe that this park only come into existent in 1993, checkout these old photos!

http://www.cityofsydney.nsw.gov.au/__data/assets/image/0011/154973/050926-380.jpg
http://www.cityofsydney.nsw.gov.au/__data/assets/image/0003/136380/Sydney-Park.jpg

I really like the single lone highrise (well medium rise i suppose) apartment block adjacent to the park, it has featured in my pictures before and in this particular case I did set myself up in waiting for the perfect lot of people to walk on thru the frame!

3 shot Panorama
Timed to get the people in the centre frame only πŸ™‚
Techie data:
D7000 with Nikkor 17-55mm f2.8 @ 24mm – Aperture: f/8 and Shutter Speed: 1/60 seconds
out front – no filters

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed.

Softness is.. North Bondi

Softness is .. North Bondi - (c) 2014 Gerard Blacklock

Softness is .. North Bondi – (c) 2014 Gerard Blacklock
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/5.6 and Shutter Speed: 248.4 seconds
ISO 400
out front – Lee Graduated Filter 0.9x, a very tall cliff and lots of rocks.

It was well past sunset and there was nothing but a warm glow from where the sun had disappeared over the city skyline, with almost no moon it was a perfect time for some long exposures without the need for filters.

I did however have a graduated filter on the sky to enable more light from the lower part of the scene to be captured, additionally with the use of a super powered torch I lit the scene from an adjacent rock several steps from to right. The rocks down in the ocean are artificially lit along with that part of the cliff face on the right. The warm tip on the cliff is from the argon street lights a hundred metres of so away.

Whilst the composition was not quite what I wanted, i do like the smooth water and punchy rocks, hence it made it off the cull list πŸ˜‰ I also think a star trail view from this very spot could really make it sing, you can see a few of the star trails from the 250 seconds long exposure

Techie Love

Unhealthy Obsession

Unhealthy Obsession - Lone Trees - (c) 2014 Gerard Blacklock

Unhealthy Obsession – Lone Trees – (c) 2014 Gerard Blacklock
D7000 with Nikkor 17-55mm f2.8 @ 17mm – Aperture: f/9.5 and Shutter Speed: 2 seconds
out front – nothing, no filters, nothing but smelly fresh air, a golf course and a tree.

of lone trees on hills
I do have quite the fascination with lonely trees, whether they be on a beach, in some dunes, in the country side or in the bay, and now on the headland, they never seem to lose the appeal.
So during a further investigation of this location (with Rod) via google street view this little old tree popped up while tracking that big smelling poo cannon.

Its a pretty photogenic tree, it could however have a bit more of a lean and possibly be repositioned alittle but hey, all in all pretty sweet. I did take quite a few images of this tree including some obligatory panoramas πŸ˜‰ , the first one that caught my eye was the one with the tree over looking the green, I had wanted to capture it with the golf green and hole/flag in place, but it was well past closing time and all the green hole flags had been removed.

Simple black and white vertical panorama style image.

Single image
Techie data:
D7000 with Nikkor 17-55mm f2.8 @ 17mm – Aperture: f/9.5 and Shutter Speed: 2 seconds
out front – nothing, no filters, nothing but smelly fresh air, a golf course and a tree.

Step in Line

Step in Line - Coogee Sunrise - (c) 2014 Gerard Blacklock

Step in Line – Coogee Sunrise – (c) 2014 Gerard Blacklock

and watch the slippery stuff

So after rocking up here at Ross Jones Pool at Coogee my first thoughts were, ‘ho hum’…this increased to more ‘so ho ho hum’ at the sight of more photographers peppering the pool, who woulda thunk that this little old pool at Coogee would be so popular, even the punters passing by some time after sunrise made the observation it was a like a photography club πŸ™‚

I do like some space and some freedom when out photographing, to be shoulder to shoulder with half a dozen other togs in quite a small area makes it a little less enjoyable. Nonetheless, one must suffer in life πŸ˜‰

Its a pretty cliche scene, ie use the edge of the pool as a leading line, however on this particular morning it really just fell into place with the position of the sun peaking through the clouds, I simply put the concrete pool edge so it ran the eye right up into that sky goodness, there was even a few god rays to boot. I have a few other compositions similar to this, one with a mad looking S curve, however this one jumped out at me for having a more balanced feel and such here it is.

Techie Love
Bracketed shot (3 frames -3, 0, +3) however really only used the 0 and -3 exposures)
The -3 frame was simply used (manually blended) to retain that detail in the bright part of the sky.

D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/16 and Shutter Speed: 1 second for neutral frame and 1/4s for darker frame (bits of sky)
out front – green slippery ass mossy stuff and a pool…also wedding cake island and god rays.

Cosmic poo Cannon

Cosmic Poo Cannon - (c) Gerard Blacklock D7000 coupled with Tokina 11-16mm f2.8 @ 11mm- Aperture: f/3.3 and Shutter Speed: 60.7 seconds (151 shots) ISO: 400

Cosmic Poo Cannon – (c) Gerard Blacklock
D7000 coupled with Tokina 11-16mm f2.8 @ 11mm- Aperture: f/3.3 and Shutter Speed: 60.7 seconds (151 shots)
ISO: 400

stand back, we have a new means for waste water treatment

The cosmic poo cannon, during daylight hours can be seen hereΒ https://blog.avernus.com.au/prelude/

Given the time of month and the lack of moonage, i was keen to get out and do some star trails, without having to drive a million miles to a dark place. After the failed attempt from the previous week with Rodney, I was itching even more so. I had planned to get out during the week but the fickle weather prevented it.

I have had a few potential sites in the back of my mind for while, Sydney park, Kurnell (multiple poo cannons there), malabar and North Bondi (super poo cannon), after looking at a few older shots of the super poo cannon (https://blog.avernus.com.au/prelude/) it really looked as if it had lots of potential, with the only unknown being (beside never actually having visited there) being the amount of ambient light that may spill from the adjacent apartments and streets.

After a wonderful sunrise at Coogee (Ross jones pool) with Rodney and half of Sydneys other photographers ;( I mentioned it could be on the cards if the weather was on – the rest is history.

So here we have – Cosmic poo cannon
Taken in Australias largest city with probably some of the most light pollution around – just goes to show, you can do star trails pretty well anywhere πŸ™‚

Techie stuff
151 images stacked together using the statistics method in Adobe PS CC
The foreground shot was just a simply red LED torch applied to the path leading up to the poo cannon.
Opted for longer shutter to reduce the file numbers (read as running outta disk space)

D7000 coupled with Tokina 11-16mm f2.8 @ 11mm- Aperture: f/3.3 and Shutter Speed: 60.7 seconds (151 shots)
ISO: 400
out front – North Bondi Water Treatment plant Exhaust stack.

Lovely jubbly and thanks for looking – I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed and always appreciate the time people take to have a look and/or comment.

One of many

One of Many, Paperbark Forest - (c) Gerard Blacklock

One of Many, Paperbark Forest – (c) Gerard Blacklock

There’s a story with this image, one which only came to light many weeks after it was taken, I was down at the local large chain supermarket doing the weekly shop at a very ungodly hour which is, btw, the best time to do it since hardly anyone is there and you only wait 2 minutes for a checkout. Anyway, so I started chatting to the bloke operating the checkout, mentioning that it must be getting close to knock off time and he said
“shit yeah, can’t wait, i really hate this job”
I must admit I was a bit taken aback, so I said
“sure, buts better than doing nothing I suppose”
he then mentioned that this was true, but had spent 4 years studying at uni only to come out when the GFC hit and subsequently in a bad time in terms of trying to get a job in his chosen field.
It got me thinking a bit (which is rare πŸ™‚ ) about how the older generation and how many times I had heard how
the rain was colder, the stones sharper blah blah blah… when in fact I would actually put it out there that the young folk of today and quite possibly the generation to come are gonna have it pretty tough, much more so, than say my parents, or myself (i still consider myself young πŸ™‚ ) have had it.
When I went to uni there was also no guarantee of a job at the end, however it was in fact the first year uni fees went to the new scheme of different degrees costing different amounts (and surely enough all degrees increased), if I had gone to uni the year before I started, It would have cost half as much as it did when I got there πŸ™
At the least though, there was still some positive aspects to getting a job in your chosen field, this was diminshing though with the ever increasing student numbers – particularly in my stream of engineering which graduated 40 odd students, of which the industry only needed about 20 (across all unis!)

anyway…so I feel for this guy, still very young, educated and yet having to work in a job that he does not like – fingers crossed buddy that your luck changes and you get that opportunity to work in the field you were educated for!
I know for sure that I am very grateful I got/have the chance to work in my field of choice – doing cool stuff with planes πŸ™‚ and I hope my children get the same opportunity, however I suspect, their road may well be a bit harder, the rocks a bit sharper and the rain a bit colder..

Single image
Techie data:
D7000 with Nikkor 17-55mm f2.8 @ 17mm – Aperture: f/8 and Shutter Speed: 1/90s seconds
out front – HoyaFilters CPL and lots of dry paperbark trees like all those graduates from uni every year! (and you thought I could not relate the image to the post πŸ˜‰ )

Bioluminescent ocean surf

Bioluminescent ocean surf - (c) Gerard Blacklock

D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/3.3 and Shutter Speed: 329.5s
ISO: 200
Outfront – a hoodie, a big f-off drop and some funky-ass wave action.

So here we are, myself and Rodney perched out on some freaking rock outcropping atop a old munitions bunker trying to get a better view on the freaky stuff happening in the ocean, my first thought was a super aerated water being more reflective (and white) to light etc however it would have appear, to the naked eye and also to the camera sensor there was some bizarre means to which the ocean seem to emanate a glow when the waves shamed on the rock shelf.

I have seen images of the crazy ones in San Deigio but they are much more prominent. Clues anyone, surely we do not have Bioluminescent ocean here?!

Ironically, in less than 7 hours I was in a boat out in that very ocean doing some deep sea fishing, which btw was was pretty successful, got me some very tasty flathead and bream, real man sized fish πŸ™‚

Single shot
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/3.3 and Shutter Speed: 329.5s
ISO: 200
Outfront – a hoodie, a big f-off drop and some funky-ass wave action.

Warm Sand

Warm Sand - (c) 2014 Gerard Blacklock

Warm Sand – (c) 2014 Gerard Blacklock

Dark Point

Techie love:
4 shot panorama (bracketed)
Exif/setup data:
D7000 coupled with a Nikkor 17-55mm f2.8 @17mm Aperture: f/13 ISO 100 and Shutter Speed: various
Out front: Lee Graduated Filter (0.9) Circular Polariser and plenty of sand

The battle – Light vs Dark

Light vs Dark - (c) 2014 Gerard Blacklock

Light vs Dark – (c) 2014 Gerard Blacklock
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/8 and Shutter Speed: 152s
out front – LEE graduated filter 0.9, LEE bigstopper and screw in circular polariser and a battle between the rocks

and whats left between

I really liked this scene, the comparison between the warm friendly looking rock in the front and the mean dark ominous rock out back simply meant I could not compose it any differently, I did have to crop out a rock off to the left, but hey, sometimes nature does not see my entire vision and needs to be bent a little bit to achieve the artistic license πŸ˜‰

Single frame
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/8 and Shutter Speed: 152s
out front – LEE graduated filter 0.9, LEE bigstopper and screw in circular polariser and a battle between the rocks

Texture Duo

Texture Duo - (c) 2014 Gerard Blacklock

Texture Duo – (c) 2014 Gerard Blacklock
D7000 coupled with Tokina 11-16mm f2.8 @13mm Aperture: f/8and Shutter Speed: 10 seconds
out front – LEE graduated filter 0.9, LEE bigstopper and screw in circular polariser

So I am sitting here with two keyboards, two mice and Tickles, who is taking immense enjoyment in bashing out on one keyboard and mouse, it all goes well until she realises she wants my mouse and keyboard, which are much more interesting (probably ’cause they get a funny reaction from dad), especially the mouse with its cool little red light πŸ™‚
Editing images is always fun with either tickles or chaos, it takes 10 times longer than normal and I lose a few hairs through frustration but its still worth it πŸ˜‰

So, this image, intended to be BW from the get go, is dedicated to tickles! Pretty typical semi-LE seascape image which could have actually worked in colour also, there was some nice subtle warm glow on the top of the clouds but I felt that water flow and texture in the rocks did not need any colour to really make it shine.

Single frame
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @13mm Aperture: f/8and Shutter Speed: 10 seconds
out front – LEE graduated filter 0.9, LEE bigstopper and screw in circular polariser

I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed and always appreciate the time people take to have a look, plus and/or comment.

Comparison

The difference time makes
1/3 of a second vs 175 seconds
The prelude to the following shot, mainly to test the composition.
https://plus.google.com/100975265940134223422/posts/JjW9rZZuD3w

Single frame
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/16
ISO 100 and Shutter Speed: 1/3s
out front – LEE Graduated Filter 0.9x screw in circular polariser and…

I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed and always appreciate the time people take to have a look, plus and/or comment.

Heart Shaped Falls

its a jungle in there!
View large or go home πŸ˜‰
Well you may not be able to see the heart shape from this angle, however rest assured, this little set of falls has been coined by +O. Sydney and from his composition, lower and and the left, it does resemble a Heart πŸ™‚

The light was coming and going as the clouds roared over head and intermittent spurts of rain fell, this gave the opportunity to catch the shot whilst some areas were nicely illuminated giving that dappled type of light.

This style of processing and capturing images is becoming pretty standard for me and I think I do need to branch out and try something alittle different πŸ™‚ Panorama image with a total of 5 frames stitched together, each frame bracketed to capture the full dynamic range, which you can see in the upper falls in the top of the image. As usual, manually blended to achieve the lighting that I recall seeing.

5 shot Panorama (bracketed)
Techie data:
D7000 with Nikkor 17-55mm f2.8 @ 19mm – Aperture: f/8 and Shutter Speed: 31.5 (normal frame) 1/3s dark frame) and 6 s (bright frame)
ISO 100
Out front: Hoya Circular Polariser, lots of rocks, slippery ones, some vines and a trickle of water πŸ™‚

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed.

Slippery Crossing

choose your path carefully

3 frame manually blended image
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/16 and Shutter Speed: 8s (mid frame) 2s (bright area) 30s shadows and under rocks πŸ™‚
out front – screw in circular polariser

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed.

Family

and there were 4 in the dunes and the little one said.. where to now?

This scene with the grass clumps reminds me of my own family, my beautiful partner (wifey) front row centre, mayhem off to the left (and as always.. heading off to explore with no fear), me , i am the big clump off to the right with chaos close by keeping a eye on me πŸ™‚

Its a big world out there πŸ™‚

Whilst our dune-age here in NSW Australia does not compare to the stuff in the middle of the county or even some the awesome ones over in other countries, I still love getting out there and trying to capture that expansive, bleak and textured scenes – i hope I have acheived it here and gotten you lost in the scale of the vanishing horizon and classic big blue aussie sky.

Single frame
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/16 and Shutter Speed: 1/20s
ISO 100
out front – Screw in Hoya Filter – circular polariser

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed

Softeness is

Campcove
From a recent sunset session with +Rodney Campbell , i had set up on the beach only to find the ever increasing waves encroaching on my position (that would be those darn ferries), this was the third attempt and finally got a result that did not have from the sand disappearing from underneath πŸ™‚

Single frame
Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/6.7 and Shutter Speed: 299s
out front – LEE graduated filter 0.9, LEE bigstopper and screw in circular polariser
out to the right – Rodney Campbell

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed