yawn The final burn, whilst waiting for +Rodney Campbell to nail his last shot I whacked on +Cameron Fong 24-70 f2.8 lens (thanks mate) and popped out a final, cliche SOH and SHB shot

There was some nice tonal changes as the twilight was really kicking in and the final dirty red of the smoky sunset was disappearing.

4 thoughts on “yawn The final burn, whilst waiting for +Rodney Campbell to nail his last shot I whacked on +Cameron Fong 24-70 f2.8 lens (thanks mate) and popped out a final, cliche SOH and SHB shot”

Gerard Blacklock says:

August 28, 2013 at 12:46 am

damn, shoulda had another frame on the left…
John Dunne says:

August 28, 2013 at 1:54 am

Beautiful nightscape of an iconic scene +Gerard Blacklock, although agree an extra frame to the left would have worked well.
Rodney Campbell says:

August 28, 2013 at 8:30 am

Postcard perfect even Gerry 🙂 – you don't need a frame on the left you just need to move the SOH across to the middle of the bridge – it must happen sometimes we saw it on a postcard 🙂
Have you lost a tip of a sail in the stitch?
Gerard Blacklock says:

August 28, 2013 at 12:58 pm

thanks +John Dunne
I did think about that +Rodney Campbell 😉 but a bit too time consuming, the edit on the other image was pretty easy tho.
Regarding the SOH tip, it is there, but in shadow, if you zoom in you can see it. This was a 4 shot pano with the right image mostly cut off.