Turbulence

Hopping from rock to rock looking for that nice water flow all whilst keeping the peepers out for those rogue waves – in this image the water flow is a result of the third big wave rolling back out to sea , the flow right at the bottom has actually originated from a big shelf to the right of where I was standing and streamed back down to join the mothership again 😉 It was well past sunrise but the heavy cloud on the horizon meant the colour lasted for a bit longer than usual as well providing some nice diffused lighting.

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/20 and Shutter Speed: 1.6s
ISO 100
out front – Lee Graduated Filter (0.9x) and Hoya CPL…. and three barreling waves 🙂

https://blog.avernus.com.au/turbulence/

Sneaky, spidery, Sunday Sunrise Sessions

Squeezed in between a golf course, a pistol range, a cemetery and a so called national park is this little gulley which I had seen many times when browsing the google maps, I have frequented the areas north (Little Bay) of this and also south (Cruwee Bay) however never quite made it to this place, whilst not terribly inspiring the clouds and sunrise did give it some interest.

Rod and I did a fine battle with the local spider population from which we were quite victorious, ie no spiders on faces 😉 there were a few close calls 😉 It is really only a short walk in and we did not even notice the cemetery in dark, however i suspect the attention was more concentrated on the spidery fiends, its funny how the walk into a location in blackness can seem much further than that on the way out. I had actually visited this area just the day before with both Chaos and Mayhem for a bushwalk and driving past this spot we saw a red belly black snake slithering across the road – it has certainly been a season of snakes for me 😉

This spot is classic Sydney coast cliffs, much like what you find at Kurnell and even some of the eastern suburb cliff line, the rich green mixed with the sandstone can really shine in the right conditions, particularly when the golden light of the sun rising meets it.

Exif love:
4 landscape orientation shots stitched together.
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/20 and Shutter Speed: 3s
ISO 100
out front – Lee Graduated Filter (0.9x) and Hoya CPL…. rockage, greenery and a cool sun poking over the clouds.

https://blog.avernus.com.au/sneaky-spidery-sunday-sunrise-sessions/

All that glistens

Its just after 5am in the morning and there is nothing but a subtle glow out on the horizon giving the hint that sunrise will happen once more (yeah i know its a pretty sure bet but hey … 😉 ), the sharp grinding and clacking (yeah thats a real word too) of the stones under my feet is the only sound, even the ocean seems to be quiet in anticipation of the sun's arrival.

After finding my favorite spot to setup, its always a good spot to start out at anyway 🙂 I rattled off a shot, guessing the exposure only to find things are still pretty darn dark..hence i thought I would add a little extra artificial light to try get some detail out of the foreground, normally I would not bother and just wait for some more natural light from the sun coming up, however I had nothing but time to burn… I pulled out the big berther torch and added some light to rocks during the relatively long exposure.

The light has created a artificial feel to the scene, however gives the viewer another dimension to look at and engage in, typically the lower part of the image where the black and dark rocks are would simply be rendered black, however 600 lumens of light brings out some detail and texture, which after I took it I thought, thats not so bad. Hence I put a mental note in to try that again next time rather than sit in the dark waiting for the sun to come up 😉

One big problem with LED torches is the colour temperature of the light, they are really cool in colour, resulting in blue cold light, this image was no exception, even without the LED light the scene is very blue with the predawn light, however wit the LED, it was like another world – I have corrected alot of that to bring some warmth back to the light and match what I saw on the morning.

Exif love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/14 and Shutter Speed: 67s
ISO 100
out front – Lee Graduated Filter (0.9x) and Hoya CPL…. LED torch applied to the rocks on the left, the rocks to the right and the ones in middle right of the frame.

https://blog.avernus.com.au/all-that-glistens/

Helitack

If you have seen shows like the biggest loser, the great gatsby, the movie Sleath (yeah it was crap, but cool choppers in there) etc, then you have seen this machine, VH-FHD, Kawasaki BK117, its a bit of a star ;). Its got a cool retro style paint job which reminds me of what these would have (or still do) looked like back in Japan – I know I rave on about these choppers, but they are my favourite , probably closely followed by the BO-105 from which alot of design and parts are common … which leads me a very cool video..

ya gotta check this out, this is Chuck Aaron doing bad bad things to the Red Bull BO-105, so bad its good 😉 watch for the bit where he pours a glass of water on the centre console then does a loop without spilling it…

http://youtu.be/mQT26oxOG4c

Back the image, of a BK117, you can see the similarities between the two rotorcraft, and if you need some heli-work see the chaps at Helitreck, its one of the few mobs I would fly with 😉 not like that transasia crew eek 🙁

Exif/setup love:
D750 coupled with 24-70mm f4 @ 24mm Aperture: f/8 and Shutter Speed: 1/250s
ISO 100
out front – Hoya CPL.

Lead me to

its cliche but hey footsteps to better place

Foot steps in the sand, it been done a million times 🙂 in this one I was just cruising down the beach (first set of prints running across) and noticed the little pebbles and thought I could get something to work with them, set the camera up and threw in a few extra footprints to boot 🙂

Exif love:
D750 coupled with 16-35mm f4 @ 17mm Aperture: f/18 and Shutter Speed: 1/1.3s
ISO 100
out front – Lee Graduated Filter (0.9x) and Hoya CPL…. pre made footprints and the sun

First Day

First Day - (c) Gerard Blacklock

D750 coupled with 24-70mm f4 @ 62mm Aperture: f/2.8 and Shutter Speed: 1/1600s
ISO 640
out front – beautiful girls 😉

Its a been a long week for the adults for those kids who trundle off to big school for the first time, but spare a thought for the little tackers making their way into the unchartered, unknown territory that is Kindergarten. If a week feels long for us adults, it must feel like a year for kids.

Chaos started school this week and it was a proud moment for all involved, however one filled with trepidation and anxiety (on all sides;) ), i think sometimes we expect so much of kids, for them to immediately take a huge change like moving into kindy and expecting them just to get on with it, I think I would liken it to changing jobs, or even maybe getting your first job, its whole new world of routine, social interactions and freedom mixed with new rules.

This is Chaos walking to school for the first time, supported nicely by her little sister, Mayhem aka tickles, it was a mixed week with lost hats and lunch boxes and tantrums and I don’t think I have looked forward to the weekend so much for a long time 😉

I will look back at this image and I hope Chaos will also and it will bring memories of the first day (and week) and the experience of entering into the world of school for which there are many years ahead.

Way to go Chaos, I am super proud of you 🙂

Exif/setup love:
D750 coupled with 24-70mm f4 @ 62mm Aperture: f/2.8 and Shutter Speed: 1/1600s
ISO 640
out front – beautiful girls 😉

The right path

step delicately to avoid those shakey snakeys 🙂 and follow that good green grassy path down to the ocean.

Vertical panorama and dreaming of one of those tilt shift lens 🙂
4 portrait orientation shots stitched together in +Adobe Photoshop
Exif Love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/20 and Shutter Speed: 1/1.6s
ISO 100
out front – Lee Graduated Filter (0.9x) and Hoya CPL, bigass swell and lots of cool textured rock.

Long Bay Textures

where nitrates, phosphorus and potassium meet the ocean

well, i might be over dramatizing it a bit, but there was some very lush green grass nearby which I am sure was not there way back when 😉

This mixed with some lovely Sydney sandstone makes for some great colours and textures, especially when the use that cool blue dye to see where all the runoff ends up ( see here for more http://goo.gl/IIzhK0)

The sunrise looked pretty bland with a thick band of cloud planted firmly on the horizon and clear skies above, however as I always say, things can change quickly and suddenly clouds were coming from everywhere 🙂

This hidden little gully on the golf course at Long Bay had lots of little shelfs and water ways, especially with the big swell and high tide. This particular little shelf just screamed to be photographed, there were some noice waves coming over it, however I did not manage to capture them, darn that patience thing again 🙂

Pretty simple image, single exposure with a graduated filter and polariser, not too much in the way of dynamic range and hence plenty of shadow detail to be seen. Might need to clean the old sensor, cloning out the dust spots is getting a little onerous 🙁

D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 70.7
ISO 100
out front – Lee Graduated Filter (0.9x) and Hoya CPL, bigass swell and lots of cool textured rock.

https://blog.avernus.com.au/long-bay-textures/

Kawasaki BK117's

I reckon its one of the best choppers out there, very much underated.
Kareela Aviation (seen here) have one of the best and largest (i think) fleet of Kawasaki BK117's in oz, they also hold the RFS (Rural Fire Service) contract too 🙂
There is a Bell 205 in there too, the ute of the air and not even in the same class 😉

I rarely, actually, never, get in a helicopter unless I have to for work, however this was one exception for some aerial photography work from a AS350, probably the smallest chopper I would trust my ass in 🙂

Its the end of the fire season over here and hence some spare time for a bit of downtime for these guys, hence the effort to arrange the aircraft and tankers – these guys are fully self sufficient with the ability to fly maintenance (Baron fixed wing – not shown) dudes out to working aircraft across the state and provide fuel support.

This is a vertical pano shot, 3 frames, landscape orientation – cheers to my pilot for the day for some nice steady OGE (Out of ground effect) hovering to get me in the right position for this one 🙂

Exif/setup love:
3 Landscape orientation images stitched
D750 coupled with 24-70mm f4 @ 24mm Aperture: f/8 and Shutter Speed: 1/320s
ISO 100
out front – Hoya CPL.

Undecided

 

Undecided - (c) 2015 Gerard Blacklock

D750 coupled with 16-35mm f4 @ 18mm Aperture: f/18and Shutter Speed: 1s
ISO: 100
out front – Lee Graduated Filter (0.9x) and a polariser (HOYA screw in)

I could not actually decide which I liked the most – hence when in doubt, just throw it all in 🙂 well in this case into a triptych.
I think its also a good example of how water movement and flow in a scene can change the overall feel look of the image. There was no change in the shutter speed, just in the timing of when to take the frame.

Can you pick which way the water is going in each frame? (in or out) which looks better? I typically find that taking the frame with the water flowing out seems to give better lines – this is not a hard and fast rule tho. Another important benefit of using the outflow is that your not crapping yourself when the big swamper comes thru and you got your eye plastered in the viewfinder trying to get that sweet frame and then blam 😉

Exif/setup love:
D750 coupled with 16-35mm f4 @ 18mm Aperture: f/18and Shutter Speed: 1s
ISO: 100
out front – Lee Graduated Filter (0.9x) and a polariser (HOYA screw in)

 

Protection

Protection - (c) 2015 Gerard Blacklock

D750 coupled with 16-35mm f4 @ 16mm Aperture: f/10 and Shutter Speed: 1/1.3s
ISO: 100
out front – Lee Graduated Filter (0.9x) a bit of a wreck or something and some rockage

did not help this wreck
view large… its a crime not too 😉

Whilst the colour and clouds were nice, i really liked this channel that ran between the breaking waves and outer rock shelf and the next set of rocks (which I am standing on). The small rock cluster, only standing several feet high created a calm little bay with the waves just bubbling thru the rocks and occasionally flowing over the top – I did wait for that set of waves, since that would have topped the image off I think, ie some nice water flowing over the rocks, but alas, patience got the better of me and at the time I was not overly impressed with the shot, only after i reviewed it on the the computer did it get a look in.

4 landscape orientation images stitched together in +Adobe Photoshop, the scene has a bit of the bendy feel to it due to the wide angle and in hindsight taking several steps back and running with 35mm focal length would have been a much better option, or even better swapping to a longer lens.

Exif/setup love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/10 and Shutter Speed: 1/1.3s
ISO: 100
out front – Lee Graduated Filter (0.9x) a bit of a wreck or something and some rockage

There were 4 on the ridge and the little one said

There were four on the ridge and the little one siad.. - (c)  2015 Gerard Blacklock

8 Landscape orientation images manually stitched
D750 coupled with 70-200mm f2.8 @ 170mm Aperture: f/11 and Shutter Speed: 1/400s
ISO 100

watch out that farmer is coming with his chainsaw 🙂

I have often been accused of having ulterior motives for visiting various locations, mostly to do with the desire to take a few piccies 🙂 sometimes its true others not 🙂 However myself and chaos went out to Lake Lyell for a bit of timeout and to get out of the house, admittingly I did want to see what the place was like from a photographic point of view so it was a convienent coincidence i say 🙂

During the drive out I noticed a few trees and thought they look pretty cool but it was not until we actually drove back the way we came that the scene presented itself like this, four lonely trees on a ridge. Its funny how perspective and position make all the difference in a scene, there was basically only one spot from the road where the slope had a nice roll to it and the trees appear right on the horizon, probably be a cool scene from the other side too.. if you could access it.

Chaos and I had checked out the lake, found a good stash of blackberries and it had just started to pour with rain as we drove back. I saw the scene and the conditions looked really sweet but we had to get back and there was some crazy lightning around.

I had contemplated a sunrise session here, but that was kinda outta the question, however as luck would have it, later in the morning another blackberry collecting session was needed so chaos was very accommodating at the suggestion of lots of blackberries even agreed to be patient whilst I stopped and took a few photo’s 🙂

‘but dad, remember you can only take a 5 pictures, you promised to be quick’

so..5 pictures (or maybe it was 8) later we were off to the blackberries :). Thanks to +Cameron Fong for the loan of the lens which got me in the right range for this one.

Blackberries were awesome too, came back with a nice bucket load of them 🙂 all in all everyone got what they wanted

This is 8 images stitched together as a panorama, probably only 6 were needed since i chopped a big bit off the left side..The light was not optimal, but it was either this or nothing, it would have looked great at sunrise..especially with all those pinks 🙂

Exif/setup love:
8 Landscape orientation images manually stitched
D750 coupled with 70-200mm f2.8 @ 170mm Aperture: f/11 and Shutter Speed: 1/400s
ISO 100
out front – trees and some ridge near Lake Lyell

Shopping Planet

Shopping Planet - (c) 2015 Gerard Blacklock

3 Landscape orientation images manually stitched
D750 coupled with 24-70mm f4 @ 70mm Aperture: f/3.2 and Shutter Speed: 1/3200s
ISO 200

its a wild world out there, luckily we got our hard hat

A recent gift from nan and pop was just perfect for this incarnation of a tiny panet, planetoid or what ever ya want to call them. This was the wet warm up session to the for which we are now at #37 (Alison Wonderland – I Want U) damn i love the public broadcast system in this country 🙂 I reckon there would be a revolution if they cut funding to tripleJ 😉 not only of the young folk, but also the old fogeys who grew up with the jj’s.

This image is panorama of three images, manually stitched together, there was basically nothing for the programs to be able to stitch it together except the grass and given the lightning speeds tickles was belting down the slope with her shopping trolley ( rice cakes and sugar included) there was plenty of discontinuity between the frames 🙂

cheers to +Kitten KaboodleInc for the idea of the tiny planet – it did not quite work exactly how I wanted, but chasing two kids at the same time whilst trying to set it up was…lets say challenging 🙂

Exif/setup love:
3 Landscape orientation images manually stitched
D750 coupled with 24-70mm f4 @ 70mm Aperture: f/3.2 and Shutter Speed: 1/3200s
ISO 200
out front – grass, tickles, trolley and hard hat.

 

Outer Tubes

Outer Tubes - (c) 2015 Gerard Blackock

3 images edited in CNX2 and triptyched in LR
D750 coupled with 24-70mm f4 @ 24 thru to 70mm Aperture: f/6.3 (typically) and Shutter Speed: 1/60s
ISO 200

so you togs think ya pretty hard core?

Well, i say you got nothing on these dudes! This is a place called ‘the outer tubes’, i’ll get to that in a second, its one only a few places in the whole world where you can do Land Based Deep Sea Fishing, specifically for those big-ass fish like tuna and marlin, yep, those ones you see dudes fighting on boats for hours on end.

The outer tubes is located just within Jervis Bay, basically the only point where you can get close enough to the water to throw a line in, everywhere else is like 50 metre cliffs 🙂 This place as I understand it, is basically right on the edge of the continental shelf where the oceans real deep and cold 🙂 and where the real man fish live. The name ‘outer tubes’ has absolutely nothing to do with the natural features of the landscape, there i was looking for some cool tube like rocks lol. Rather, its called this since the location is where the outer torpedo tubes where located for defending the bay back in the days when they thought someone would sail on in 🙂 In any case there is still some remnants f the old structure and supports which now form part of this iconic fishing location.

So your thinking, yeah bunch of fisherman, how keen could they be? Well, this place is only open for a short time during the year and the headland is closed from 5:30pm to 2am in morning….yeah weird eh.. so these fisherman clock out here at.. yep 2am in the morning with all their gear for the 1km walk in. Its not a overly hard walk, but you will surely get a bit puffed with a backpack on and there are some awesome metal stairs at the end to get down onto the rock shelf.

So these guys carry it all in the morning, then carry it all out in the arvo..check it out, kiddie pools for the live bait (which they catch and refill the water every few hours), 2 stroke motor pumps, bacon and egg breakie not to mention all the fishing gear, these rods and reels are real man sized ones, and weigh accordingly! and cost a pretty penny too.

So, after a morning session out on the headland I saw the signs to the outer tubes track and was certainly intrigued by the 15 cars in the carpark all of whom obviously got there well before I did.. 2am it would appear 🙂 So i hiked on in and you can imagine my surprise to come round the corner of the rock shelf to the sight of this shelf crowded with dudes and fishing gear! I hung around for about a hour or so just to grab a few shots – the guys there are pretty friendly but pretty cagey too, as most fisherman probably are when it comes to talking about theie fishing spots and techniques, luckily for me its pretty obviously i had no clue so i clearly was no threat lol 🙂

I banged off quite a few shots and it was actually pretty difficult shooting, the dynamic range was huge, the rock shelf is in full shade and the sun was pretty well blaring out in the sky and opposing headland! hence its a small triptych to show the location and people. The fish in the middle image was a tuna I think, probably as long as the dudes leg, these fish they basically cut up and reused as bait and burlie! these are bigger than the fish you see in the fish markets! However if they carried out all the fish they caught, it would be a long walk out 🙂 and really, they are only after one fish… Marlin

To give you an idea of some the fish caught here…just check out this link…trust have a look and have a read
http://www.shimanofish.com.au/articles/land-based-game-fishing-.html

and this one… this is a great read, dudes jumping off the cliff in their undies and tied to a rope to pull fish in!
http://albaa.com.au/graveyard_jf1.htm

Now, onto the photography side – what has impressed me here was the Nikon D750’s dynamic range, I turned on the active d-lighting function (to high) to see what it could do, quite impressive, these are all single images no HDR (bracketing). Another interestign point is that I processed the images in both CNX2 (RAW2NEF) and Lightroom and whilst its not really a fair comparsion (i’ll explain further) the processing and end result from the CNX2 software, which imo is better, not by a tiny bit, but by quite a bit. The qualifier here.. I am by no means a expert in LR, I would actually classify myself as a novice, however I really feel limited by lightroom in its editing ability – possibly due to my ignorance. Ie one simple aspect is automatically correcting the colour cast – LR really struggles to get the colour cast right, using either auto or other wise (WB adjustment) I often find myself fiddling with the sliders until I get what I like and the sliders are so sensitive (WB and exposure but not others like the vibrance) its quite hard to get a consistent nice result. CNX2 is pretty good with the Auto Levels and colour cast correction. The other big one is the big one is the masking and control points, CNX2 and the colorefex plugins, even being a few years old just smash the masking and control point in LR, simply things like being able to ‘paint’ on and off effects (or control points or vignetting) seems difficult when compared to CNX2 or PS for that matter… Anyways, onto the picture,

Exif/setup love:
3 images edited in CNX2 and triptyched in LR
D750 coupled with 24-70mm f4 @ 24 thru to 70mm Aperture: f/6.3 (typically) and Shutter Speed: 1/60s
ISO 200
out front – Hoya Circular Polariser

 

Mystery Bay

Honeymoon Bay - (c) 2015 Gerard Blacklock

5 Landscape orientation images stitched together in +Adobe Photoshop
D750 coupled with 24-70mm f4 @ 70mm Aperture: f/18 and Shutter Speed: 1/3s
ISO 100

its like floating on soft monochromatic velvet
Next to honeymoon bay 🙂

Exif/setup love:
5 Landscape orientation images stitched together in +Adobe Photoshop
D750 coupled with 24-70mm f4 @ 70mm Aperture: f/18 and Shutter Speed: 1/3s
ISO 100
out front – Hoya Circular Polariser