Alcove of the Faceless

Faceless - (c) 2014 Gerard Blacklock

Faceless – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/10 and Shutter Speed: 103 s
out front – no filters..just some crazy sculpture.

watch your back
I walked past this sculpture at some silly hour of the night and nearly fell off the cliff when I saw it, it was tucked away in a little alcove near the path ready to freak out the average passerby.

After recovering from a near heart attack as a result of it, i thought this sculpture would look mad with a little extra in the lighting department, so 5 minutes later after dangling some EL wire and a little selective coloured lighting I found the already scary white sculpture took on a extra dimensions of freaky-ness..

With camera right up against the guard rail the D750 tilt screen came to the rescue – i do wish it could swivel though.. πŸ™‚ anyway at least it meant i did not have to hang my ass over the cliff to compose the shot. .

Lightpainting:
EL wire on the ground, white LED torch selectively applied on the bushes in the background, Red coloured LED torch also selectively applied. The key to remember with the coloured torches is that different colours require differencet amount of exposure, for example the red light takes only a small amount to show up in the picture whereas green takes a bit more time to really get it to show up..I could probably bore you with the theory behind this..but really.. who gives a crap πŸ˜‰

Techie love data
Single shot
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/10 and Shutter Speed: 103 s
out front – no filters..just some crazy sculpture.

Rush to the bottom

Rush to the bottom - (c) 2014 Gerard Blacklock

Rush to the bottom – (c) 2014 Gerard Blacklock
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/8and Shutter Speed: 1s (neutral frame) 1/4s under exposed frame and 4s (over exposed frame)
out front – screw in circular polariser and the bottom quarter of the National Falls (the lower drop)

to swirl for what may seem like an eternity
Some might say that of some of our prestigious politicians πŸ˜‰

I love this scene and the madness that is the water smashing on the rocks followed by the slow swirl around looking for the next way to the lowest energy point. Isn’t that one of the many laws governing the universe..? everything tends to the minimum state of energy πŸ™‚

Another great set of falls close to Sydney, the National Falls, rather than try and convey the falls in their entirety and capture the scale and size, i chose to create a frame which had a few key elements and used the falls as the kicker. Sometimes visiting a location a number of times actually forces me to see things differently rather than hit things with the same brush which I think works.

This was created using 3 bracketed frames, in hindsight it could have been done using just one neutrally exposed frame, however I used the over exposed and under exposed frames just to take the edge off the shadows and the highlights, with the blend, rather than a full blend it was at about 50% opacity and heavily feathered…anyways thats getting a bit detailed for this time of the evening πŸ™‚

Exif/setup data:
D7000 coupled with Tokina 11-16mm f2.8 @11mm Aperture: f/8and Shutter Speed: 1s (neutral frame) 1/4s under exposed frame and 4s (over exposed frame)
out front – screw in circular polariser and the bottom quarter of the National Falls (the lower drop)

Thank you to those who stop by, look and comment, it is very much appreciated even when I don’t get time to reply πŸ™‚

With only the moon to watch over you

With only the Moon to watch over you - (c) Gerard Blacklock

With only the Moon to watch over you – (c) Gerard Blacklock
D7000 coupled with 16-35mm f4 @ 20mm Aperture: f/8 and Shutter Speed: 1/6s
lets see who notices that funky combo πŸ˜‰
Out front: Lee graduated filter (0.9x)

time to contemplate your position in the world
i’ll save you some time πŸ™‚ …your one in about 7 billion odd people, be thankful for what you have and not what you don’t πŸ™‚

My favorite park bench – for which one must be patient and wait for a moment of solidarity since its so damn popular with the dog walkers..runners… walkman junkies (yeah thats for you over 30 peeps)…and the rest of the park lovers πŸ˜‰

This is Sydney Park, my often ‘go to’ location when I have little or no time, its always a wealth of compositions and the rolling hills give me a sense of being somewhere else than in the middle of the inner west of Sydney, which as great as it is…can be a drag some days ..

view this full size, viewing guaranteed πŸ™‚

5 shot panorama, just as the sun was blazing down amongst the western suburbs
Techie exif data love..
D7000 coupled with 16-35mm f4 @ 20mm Aperture: f/8 and Shutter Speed: 1/6s
lets see who notices that funky combo πŸ˜‰
Out front: Lee graduated filter (0.9x)

Colony by the Sea

Colony by the Sea - (c) 2014 Gerard Blacklock

Colony by the Sea – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 20mm Aperture: f/13 and Shutter Speed: 6s
Out front: Lee graduated filter (0.9x) and Hoya Circular Polariser.

Risking life and limb to capture the little sea creature huddled on the shore of the raging river πŸ™‚ ok probably a little over exaggeration, but i did get my right toe a bit wet waiting for the right wave to flow over the rock shelf.

The sun had already set over the city skyline that is north Coogee and the subtle pastel colours were coming out to play. With one foot delicately balanced on the only somewhat not submerged rock and the other skating on slippery-ass moss I tried to capture the little shells (which by the way, my daughter loves to pick up, collect and relocate πŸ˜‰ ) coupled with the S curve of the water flow and the lines of the rock to point the viewer to nice pastel serentity that is… nightfall over the clovelly rockshelf.

Techie love:
Single shot.
D750 coupled with 16-35mm f4 @ 20mm Aperture: f/13 and Shutter Speed: 6s
Out front: Lee graduated filter (0.9x) and Hoya Circular Polariser.

Heating up

Heating up - (c) 2014 Gerard Blacklock

Heating up – (c) 2014 Gerard Blacklock
4 shot panorama with each shot bracketed, processed using Google’sΒ +Nik Collection by GoogleΒ 
D750 coupled with 16-35mm f4 @ 28mm Aperture: f/8 and Shutter Speed: 1/250s (neutral frame) 1/2000s under exposed frame and 1/30s high key frame.
Out front: bigass chopper

Another shot of the skycrane (S-64), panoramic view from down low.
The fire season is in full force now and the airport is a hive of chopper activity πŸ™‚

Techie love:
4 shot panorama with each shot bracketed, processed using Google’s +Nik Collection by Google
D750 coupled with 16-35mm f4 @ 28mm Aperture: f/8 and Shutter Speed: 1/250s (neutral frame) 1/2000s under exposed frame and 1/30s high key frame.
Out front: bigass chopper

Black and White or Colour

Wattamola Falls - (c) 2014 Gerard Blacklock

Wattamola Falls – (c) 2014 Gerard Blacklock
D7000 with Nikkor 17-55mm f2.8 @ 17mm – Aperture: f/19 and Shutter Speed: 4s (normal frame) 1s dark frame) and 15 s (bright frame)
ISO 100

Wattamola Falls - (c) 2014 Gerard Blacklock

Wattamola Falls – (c) 2014 Gerard Blacklock D7000 with Nikkor 17-55mm f2.8 @ 17mm – Aperture: f/19 and Shutter Speed: 4s (normal frame) 1s dark frame) and 15 s (bright frame) ISO 100

click thru for larger versions
Well polls seem to be all the rage, so lets have it BW or colour?

I am leaning towards the BW image, it seems to have more mood, which was in the forefront of my mind when processing this image.

3 shot Panorama (bracketed +2.0 – 0 – +2.0)
Techie data:
D7000 with Nikkor 17-55mm f2.8 @ 17mm – Aperture: f/19 and Shutter Speed: 4s (normal frame) 1s dark frame) and 15 s (bright frame)
ISO 100
Out front: sinking sand, some filters, probably the CPL and thats it πŸ™‚

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed.

All along the watchtower

All along THE Watch tower - (c) Gerard Blacklock

All along THE Watch tower – (c) Gerard Blacklock
D750 coupled with 16-35mm f4 @ 19mm Aperture: f/19 and Shutter Speed: 104.4s
out front – no filters..just some crazy tall cubby houses
Lightpainting: coloured LED torch

Simplicity is often the best when light painting, like any aspect of photography, its all about the light, get it right and it makes the scene, get it wrong and even a strong composition is gonna struggle.

I took this shot whilst walking between sculptures, it was late and very few people around, the sky was bright and the simple adding of some coloured light brought the sculpture alive.

This year with the sculptures I tried very hard ot take fewer shots and nail the single shot rather have to cull thru several shots for each sculpture i shot. This is one example, this is the only shot I took of this, no retakes or second chances πŸ™‚

Techie love data
D750 coupled with 16-35mm f4 @ 19mm Aperture: f/19 and Shutter Speed: 104.4s
out front – no filters..just some crazy tall cubby houses
Lightpainting: coloured LED torch

Dance to the edge punks

Dance to the Edge Punks - (c) Gerard Blacklock

Dance to the Edge Punks – (c) Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/10 and Shutter Speed: 180.2s
out front – no filters..just in need of some pole dancers…
Lightpainting: EL steps, chaos’s fairy wands, coloured LED torch and some very faint EL wire.

pick a podium and run with it
Probably not quite the original intention of the sculpture artist but hey…. I reckon it looks pretty mad πŸ™‚

The full moon played some havoc with the Electroluminescent wire which meant I went for another look using some stronger lights and my classic footprints.

Techie love data
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/10 and Shutter Speed: 180.2s
out front – no filters..just in need of some pole dancers…
Lightpainting: EL steps, chaos’s fairy wands, coloured LED torch and some very faint EL wire.

 

Temporary Residents

Temporary Residents - (c) 2014 Gerard Blacklock D750 coupled with 16-35mm f4 @ 20mm Aperture: f/18 and Shutter Speed: 1/2s Out front: Lee graduated filter (0.9x) and Hoya Circular Polariser.

Temporary Residents – (c) 2014 Gerard Blacklock
D750 coupled with 16-35mm f4 @ 20mm Aperture: f/18 and Shutter Speed: 1/2s
Out front: Lee graduated filter (0.9x) and Hoya Circular Polariser.

or balls of steel

I could have sworn I was gonna see one of these peeps end up in the drink, but nope, for the entire time I was there, no dunkings, quite to the contrary they pulled out seveal fairly decent sized fish.

Techie love:
D750 coupled with 16-35mm f4 @ 20mm Aperture: f/18 and Shutter Speed: 1/2s
Out front: Lee graduated filter (0.9x) and Hoya Circular Polariser.

Snot sucker alternative method

Snot Sucker Alternative - (c) Gerard Blacklock

Snot Sucker Alternative – (c) Gerard Blacklock
D750 coupled with Nikkor 85 f1.4 @85mm Aperture: f/2.8 and Shutter Speed: 1/00s
ISO 100
out front – tickles with a finger in her nose

Tickles finally got tired of having mum get snot out with the snot sucker and decided..”screw you guys i am gonna do it myself”.

fyi, the best snot sucker out there is the little fess (http://fesslittlenoses.com.au/index.php/how-to-use/) and yes.. for that promo plug they should send me something πŸ˜‰

Exif/setup data:
D7000 coupled with Nikkor 85 f1.4 @85mm Aperture: f/2.8 and Shutter Speed: 1/00s
ISO 100
out front – tickles with a finger in her nose

The Punisher

The Punisher - (c) Gerard Blacklock

The Punisher – (c) Gerard Blacklock
D750 coupled with 16-35mm f4 @ 17mm Aperture: f/9 and Shutter Speed: 74.9s
out front – no filters..just a burly looking dude πŸ™‚
Lightpainting: selective light with a pencil torch on the man, coloured LED torch from various angels and the moon as the perfect rim light.

the dude you want on your side

The moonlight (full moonage) on the sculptures turned the landscape into a totally different scene, hence it was only appropriate to utilise natures light painting in a way to craft a moody scene surrounding this sculpture.
Another great sculpture let down by the positioning, whilst it makes a great silhouette from down below lookign up on the little hill, it unfortunately is very hard to get a nice clean shot with all the crud in the background. Now that I think o fit…this could have been a great candidate for the prime platform position where the bamboo wind chimes currently are.

Techie love data
Single frame
D750 coupled with 16-35mm f4 @ 17mm Aperture: f/9 and Shutter Speed: 74.9s
out front – no filters..just a burly looking dude πŸ™‚
Lightpainting: selective light with a pencil torch on the man, coloured LED torch from various angels and the moon as the perfect rim light.

+Sculptures By The Sea

Tranquility in a sea of mud

Tranquility in a sea of mud - (c) Gerard Blacklock

Tranquility in a sea of mud – (c) Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/9 and Shutter Speed: 117.7s
out front – no filters..just a funny dude with a branch sculpture :

I love these kind of sculptures, relatively simple concept, ie a dude holding a branch with some birds in it and lots of realistic detail – it must take the artist quite some time and skill just to actually fabricate the sculpture, let alone conceive it.
This one is a direct opposite, for me anyway, of the babies crawling up the hill on the other side of Mark’s park they looked great from the back the whole missing face/square hole just left me confused.

I had wanted to get right down low and really get this sculpture against the sky, however after planting a few steps down on that very deceptive looking grass (and sinking into 6 inches of mud) I had to settle for this composition, which was basically sitting on the pavement above the sculpture. It was strange that the curators chose to place it here, i think it could have really benefited from a more elevated viewing position – note +Sculptures By The Sea if you need some advice just let me know πŸ˜‰ πŸ˜‰ . Thanks to Mickyg for the use of the spin and the stencils, really cool light painting tools. I can only take credit for the light on the grass (i mean mud) and the sculpture.

Techie love data
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/9 and Shutter Speed: 117.7s
out front – no filters..just a funny dude with a branch sculpture πŸ™‚

The Watchers

The Watchers - (c) Gerard Blacklock

The Watchers – (c) Gerard Blacklock
D750 coupled with 16-35mm f4 @ 32mm Aperture: f/9 and Shutter Speed: 23.3s
out front – bare bummed sculpture:)
Lightpainting: Pencil LED torch

pantless at that πŸ˜‰
Sculptures by the Sea 2014
Ya gotta wonder what the artist has going through their head when they come up with various works like this – not in a bad way, just purely from a interest point of view.
By day and night the sculptures are plagued with photographers, the lighting painting aspect of the sculptures has seen a roaring increase in the last year of so and every time i have been out there have bee all manner of light painters from peeps with a single torch to pixel sticks and a trailer load of equipment!
On that note, as a lighting painting photographer I think we all have a responsibility to respect the art which we are photographing, I had a midnight chat with a few security guards who mentioned there has been some damage to various works from punters – including that cool bondi icebergs pool one which was smashed πŸ™

This image is simply lit with a pencil torch and the moon, simply trying to highlight the sculpture.

Single shot
Exif/setup data:
D750 coupled with 16-35mm f4 @ 32mm Aperture: f/9 and Shutter Speed: 23.3s
out front – bare bummed sculpture:)
Lightpainting: Pencil LED torch

Crayon Evolution

Crayon Evolution - (c) 2014 Gerard Blacklock 5 frames D7000 coupled with Nikkor 85 f1.4 @85mm Aperture: f/2 and Shutter Speed: 1/250s ISO 200 out front - mayhem eating crayons and occasionally drawing

Crayon Evolution – (c) 2014 Gerard Blacklock
5 frames
D7000 coupled with Nikkor 85 f1.4 @85mm Aperture: f/2 and Shutter Speed: 1/250s
ISO 200
out front – mayhem eating crayons and occasionally drawing

mmm tasty crayons….
Tickles has taken a partial interest in drawing, however the fun seems to be more focused on reaction she gets from us when she attempts to.. well lets be honest here.. takes a full chomp of the crayon! I am glad these things are toxic free πŸ™‚ and hopefully come out the other end with the sultanas πŸ™‚

5 frames, all edited in +Adobe Photoshop Lightroom ( i love the way you can select multiple images and do global adjustments across all the selected images.. nice.)
Exif/setup data:
D7000 coupled with Nikkor 85 f1.4 @85mm Aperture: f/2 and Shutter Speed: 1/250s
ISO 200
out front – mayhem eating crayons and occasionally drawing

Green and Blue

Green and Yellow - (c) Gerard Blacklock

Green and Yellow – (c) Gerard Blacklock
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 3s
Out front: Lee graduated filter (0.9x) and Hoya Circular Polariser.

and the silver tail…
Some very luminous greenery was present on this particular morning at Austinmer, so green in fact I had to dial it down πŸ™‚

I think green moss is a close second favorite to lone trees for me at the moment πŸ™‚

Techie love:
D750 coupled with 16-35mm f4 @ 16mm Aperture: f/16 and Shutter Speed: 3s
Out front: Lee graduated filter (0.9x) and Hoya Circular Polariser.

As always, I welcome any suggestions, comments and improvements to my photography, they are always warmly welcomed.